
George Washington
John Quincy Adams Ward (d. 1910)
1882; cast ca. 1911 · Bronze
Cleared · Public Domain
liveRights clearance desk for images
Museums publish two different things about the same artwork: whether the work is in copyright, and whether their picture of it is. OpenPlate reads both, does the arithmetic on the published term, and shows you the sentence behind every point of the score.
Where this page got its records
587 ms. The Metropolitan Museum of Art, Collection API (Open Access)
620 ms. The Cleveland Museum of Art, Open Access API
2 of 2 providers answered live. 236 matching records exist across the two collections.
Institutions answered newest-first by record, interleaved

George Washington
John Quincy Adams Ward (d. 1910)
1882; cast ca. 1911 · Bronze
Cleared · Public Domain
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Custom House, Wall Street
William H. Dougal (d. 1895)
1845 · Etching and engraving
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Maiden Lane from No. 1 to No. 65
Tallis & Co. (d. 1863)
1854 · Steel engraving
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
A View of the City of New York from Brooklyn Heights, in 1798 by Monsieur C. B. de Julien de St. Memin with a Pantograph Invented by Himself
Charles Balthazar Julien Févret de Saint-Mémin (d. 1852)
ca. 1850 · Engraving; first state
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Trinity Church from Wall Street, New York
Anonymous, American, 19th century (d. 1900)
ca. 1870 · Etching on oriental paper
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
View in Broad Street, Across Wall Street and Up Nassau Street (from 100 Views of New York and Environs)
Charles Magnus & Company (d. 1880)
ca. 1870 · Wood engraving, hand-colored
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Wall Street, Showing Sub-Treasury, from the American Scenes series (N281) issued by D. Buchner & Co.
D. Buchner & Co., New York (d. 1900)
1888 · Commercial color lithograph
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Manhattan Trust Company, United States Sub-Treasury, and United States Assay Office
Unknown
1890s · Gelatin silver print
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Charlie Chaplin and Douglas Fairbanks Selling Liberty Loans During the Third Loan Campaign at the Sub-Treasury Building on Wall Street, New York City
Unknown
1918 · Gelatin silver print
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
The West Side of Broadway, North from Wall Street, Showing Trinity Church, Trinity Building, etc.
Francis Hatch Kimball (d. 1919)
1865–1919 · Watercolor over graphite, heightened with white
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Marks of Indifference #4 (Accident #1)
Mark Wyse (d. 9999)
2006 · Chromogenic print
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Untitled (Group 6)
Matt Keegan (d. 9999)
2011 · Chromogenic prints attached to sheet metal with spray-finished magnets
In copyright
live1. Pin the work
Choose the record and say what you are actually going to do with it. The product re-reads the work live and stores a snapshot, so your docket records what the institution said today.
2. Read the arithmetic
Six weighted factors: the institution's own claim, the creator's term, the publication-age rule, the restrictions in their statement, your use, and whether a credit line is even possible.
3. Seal and export
Record the decision into a SHA-384 chain, then export a dated docket as JSON, CSV or Markdown with the credit line and the seal a colleague can re-verify.