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OpenPlate

Rights clearance desk for images

A painting can be out of copyright and thephotograph of it can still be protected.

Museums publish two different things about the same artwork: whether the work is in copyright, and whether their picture of it is. OpenPlate reads both, does the arithmetic on the published term, and shows you the sentence behind every point of the score.

Where this page got its records

  • The Metlive

    353 ms. The Metropolitan Museum of Art, Collection API (Open Access)

  • Clevelandlive

    280 ms. The Cleveland Museum of Art, Open Access API

Your defaults

United States, editorial use, 10,000 reach.

Change on the terms page

2 of 2 providers answered live. 12,613 matching records exist across the two collections.

Results for "Wall hanging fragment"12 records

Institutions answered newest-first by record, interleaved

Wall hanging fragment by an unrecorded maker, The Metropolitan Museum of Art

Wall hanging fragment

Unrecorded maker

second half 17th century · Leather, embossed

Cleared · Public Domain

live
The MetSimilar
Two Textile Fragment with Fanged Heads by an unrecorded maker, The Cleveland Museum of Art

Two Textile Fragment with Fanged Heads

Unrecorded maker

500–200 BCE · Textile, cotton: plain weave patterned by fiber-wrapped warps and supplementary wefts

Cleared · CC0

live
Cleveland Museum of ArtSimilar
Wall hanging fragment by an unrecorded maker, The Metropolitan Museum of Art

Wall hanging fragment

Unrecorded maker

1686–1706 · Gold and polychromed tooled leather mounted on cloth

Cleared · Public Domain

live
The MetSimilar
Wall hanging fragment by Daniel Marot the Elder, The Metropolitan Museum of Art

Wall hanging fragment

Daniel Marot the Elder (d. 1752)

first quarter 18th century · Leather, embossed, "gilded", and polychromed

Cleared · Public Domain

live
The MetSimilar
Wall hanging fragment by Daniel Marot the Elder, The Metropolitan Museum of Art

Wall hanging fragment

Daniel Marot the Elder (d. 1752)

first quarter 18th century · Leather, embossed, "gilded", and polychromed

Cleared · Public Domain

live
The MetSimilar
Wall hanging fragment by Daniel Marot the Elder, The Metropolitan Museum of Art

Wall hanging fragment

Daniel Marot the Elder (d. 1752)

first quarter 18th century · Stamped, gilded and painted leather

Cleared · Public Domain

live
The MetSimilar
Wall Hanging by an unrecorded maker, The Metropolitan Museum of Art

Wall Hanging

Unrecorded maker

early 18th century · Silk, wire, wood, ceramic

Cleared · Public Domain

live
The MetSimilar
Wall hanging by an unrecorded maker, The Metropolitan Museum of Art

Wall hanging

Unrecorded maker

17th–18th century · Leather, gilded and painted

Cleared · Public Domain

live
The MetSimilar
Wall hanging fragment by an unrecorded maker, The Metropolitan Museum of Art

Wall hanging fragment

Unrecorded maker

18th century · Leather, gilded and painted; frame: wood, painted and gilded

Cleared · Public Domain

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Wall hanging

Marguerite Zorach (d. 1968)

1918–20 · Silk

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Wall hanging

Marguerite Zorach (d. 1968)

1918–20 · Silk batik

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Wall hanging

Jules Bouy (d. 1937)

ca. 1932 · Wool

In copyright

live
The MetSimilar

1. Pin the work

Choose the record and say what you are actually going to do with it. The product re-reads the work live and stores a snapshot, so your docket records what the institution said today.

2. Read the arithmetic

Six weighted factors: the institution's own claim, the creator's term, the publication-age rule, the restrictions in their statement, your use, and whether a credit line is even possible.

3. Seal and export

Record the decision into a SHA-384 chain, then export a dated docket as JSON, CSV or Markdown with the credit line and the seal a colleague can re-verify.