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OpenPlate

Rights clearance desk for images

A painting can be out of copyright and thephotograph of it can still be protected.

Museums publish two different things about the same artwork: whether the work is in copyright, and whether their picture of it is. OpenPlate reads both, does the arithmetic on the published term, and shows you the sentence behind every point of the score.

Where this page got its records

  • The Metlive

    283 ms. The Metropolitan Museum of Art, Collection API (Open Access)

  • Clevelandlive

    333 ms. The Cleveland Museum of Art, Open Access API

Your defaults

United States, editorial use, 10,000 reach.

Change on the terms page

2 of 2 providers answered live. 6,040 matching records exist across the two collections.

Results for "Wall papers & cretonnes"12 records

Institutions answered newest-first by record, interleaved

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Wall papers & cretonnes

W. H. Jennings & Son (d. 1950)

1915

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Correct wall papers for the year 1916

Montgomery Ward & Co.

1916

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Papiers Peints et Tentures Modernes (Toiles et Cretonnes Imprimées)

Henri Clouzot

1929 · Mixed media: pochoir, hand-colored lithographs, lithographs, commercial photo process

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Plate 15, Cretonne "Oiseaux des Iles", composition de Mlle Marianne Clouzot, from "Papiers Peints et Tentures Modernes"

Mlle Marianne Clouzot

1929 · Mixed media: pochoir, hand-colored lithograph, lithograph, commercial photo process

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Plate 17, Cretonne imprimée "Feuillage", composition de A. Garcelon, from "Papiers Peints et Tentures Modernes"

Henri Clouzot

1929 · Mixed media: pochoir, hand-colored lithograph, lithograph, commercial photo process

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Plate 19, Papier peint, composition de Stéphany, from "Papiers Peints et Tentures Modernes"

Henri Clouzot

1929 · Mixed media: pochoir, hand-colored lithograph, lithograph, commercial photo process

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Plate 21, Papier peint, from "Papiers Peints et Tentures Modernes"

Henri Clouzot

1929 · Mixed media: pochoir, hand-colored lithograph, lithograph, commercial photo process

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Plate 31, Cretonne imprimée "L’Espalier", composition de A. Garcelon, from "Papiers Peints et Tentures Modernes"

Henri Clouzot

1929 · Mixed media: pochoir, hand-colored lithograph, lithograph, commercial photo process

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Plate 33, Papier peint "Coup de roulis", from "Papiers Peints et Tentures Modernes"

Henri Clouzot

1929 · Mixed media: pochoir, hand-colored lithograph, lithograph, commercial photo process

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Plate 37, Cretonne, composition de A. Garcelon, from "Papiers Peints et Tentures Modernes"

Henri Clouzot

1929 · Mixed media: pochoir, hand-colored lithograph, lithograph, commercial photo process

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Plate 39, Papier peint, composition de Stéphany, from "Papiers Peints et Tentures Modernes"

Henri Clouzot

1929 · Mixed media: pochoir, hand-colored lithograph, lithograph, commercial photo process

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Art wall papers, decorator, designer and importer of English and French

George Halbert (d. 1950)

n.d.

In copyright

live
The MetSimilar

1. Pin the work

Choose the record and say what you are actually going to do with it. The product re-reads the work live and stores a snapshot, so your docket records what the institution said today.

2. Read the arithmetic

Six weighted factors: the institution's own claim, the creator's term, the publication-age rule, the restrictions in their statement, your use, and whether a credit line is even possible.

3. Seal and export

Record the decision into a SHA-384 chain, then export a dated docket as JSON, CSV or Markdown with the credit line and the seal a colleague can re-verify.