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OpenPlate

Rights clearance desk for images

A painting can be out of copyright and thephotograph of it can still be protected.

Museums publish two different things about the same artwork: whether the work is in copyright, and whether their picture of it is. OpenPlate reads both, does the arithmetic on the published term, and shows you the sentence behind every point of the score.

Where this page got its records

  • The Metlive

    213 ms. The Metropolitan Museum of Art, Collection API (Open Access)

  • Clevelandlive

    247 ms. The Cleveland Museum of Art, Open Access API

Your defaults

United States, editorial use, 10,000 reach.

Change on the terms page

2 of 2 providers answered live. 65 matching records exist across the two collections.

Results for "Washerwomen in a Ruined Gallery"12 records

Institutions answered newest-first by record, interleaved

Head of Hatshepsut by an unrecorded maker, The Metropolitan Museum of Art

Head of Hatshepsut

Unrecorded maker

ca. 1473–1458 BCE · Granite

Cleared · Public Domain

live
The MetSimilar
Roman remains at Tivoli, from "Roman Ruins" by Wenceslaus Hollar, The Metropolitan Museum of Art

Roman remains at Tivoli, from "Roman Ruins"

Wenceslaus Hollar (d. 1677)

1673 · Etching; first state of three

Cleared · Public Domain

live
The MetSimilar
Temple of the Sun and the Moon in Rome by Jean Barbault, The Metropolitan Museum of Art

Temple of the Sun and the Moon in Rome

Jean Barbault (d. 1762)

1750 · Black and white chalk

Cleared · Public Domain

live
The MetSimilar
Washerwomen in a Ruined Gallery by Hubert Robert, The Metropolitan Museum of Art

Washerwomen in a Ruined Gallery

Hubert Robert (d. 1808)

ca. 1760 · Pen and brown ink, brush and brown wash, heightened with white gouache, over graphite

Cleared · Public Domain

live
The MetSimilar
Shepherd's Idyll by François Boucher, The Metropolitan Museum of Art

Shepherd's Idyll

François Boucher (d. 1770)

1768 · Oil on canvas

Cleared · Public Domain

live
The MetSimilar
Smaller Italian sketchbook (containing 43 drawings on 44 leaves) by Joseph Wright (Wright of Derby), The Metropolitan Museum of Art

Smaller Italian sketchbook (containing 43 drawings on 44 leaves)

Joseph Wright (Wright of Derby) (d. 1797)

1774–75 · Graphite, pen and ink, brush and gray and yellow wash or watercolor

Cleared · Public Domain

live
The MetSimilar
Figures in a Colonnade by Hubert Robert, The Metropolitan Museum of Art

Figures in a Colonnade

Hubert Robert (d. 1808)

ca. 1780 · Pen and black ink, brush and gray and blue wash, heightened with white, over black chalk

Cleared · Public Domain

live
The MetSimilar
George Harley Drummond (1783–1855) by Sir Henry Raeburn, The Metropolitan Museum of Art

George Harley Drummond (1783–1855)

Sir Henry Raeburn (d. 1923)

ca. 1808–9 · Oil on canvas

Cleared · Public Domain

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The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Atlas til Friherre Klinckowströms Bref om de Förente Staterne (Atlas to accompany Baron Klinckowström's Letters Written on a Journey to the United States, 1818–20)

Axel Klinckowström (d. 1837)

1824 · Etching, aquatint, engraving, lithograph, letterpress

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

View from the Colosseum toward the Palatine

German Painter

1830 · Oil on paper, laid down on cardboard

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

[Studies of Colonial Architectural Fragments and Stepped Circle, Baja California, Mexico; and 2 Views from train en route from New York to Marfa, Texas]

Donald Judd (d. 1994)

1965–67 · Chromogenic prints

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Roma

Philip Guston (d. 1980)

1971 · Oil on paper mounted on canvas

In copyright

live
The MetSimilar

1. Pin the work

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2. Read the arithmetic

Six weighted factors: the institution's own claim, the creator's term, the publication-age rule, the restrictions in their statement, your use, and whether a credit line is even possible.

3. Seal and export

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