Skip to content
OpenPlate

Rights clearance desk for images

A painting can be out of copyright and thephotograph of it can still be protected.

Museums publish two different things about the same artwork: whether the work is in copyright, and whether their picture of it is. OpenPlate reads both, does the arithmetic on the published term, and shows you the sentence behind every point of the score.

Where this page got its records

  • The Metlive

    839 ms. The Metropolitan Museum of Art, Collection API (Open Access)

  • Clevelandlive

    360 ms. The Cleveland Museum of Art, Open Access API

Your defaults

United States, editorial use, 10,000 reach.

Change on the terms page

2 of 2 providers answered live. 1,534 matching records exist across the two collections.

Results for "When All Roads Are One"12 records

Institutions answered newest-first by record, interleaved

Chessman by an unrecorded maker, The Metropolitan Museum of Art

Chessman

Unrecorded maker

ca. 3rd–7th century CE · Ceramic

Cleared · Public Domain

live
The MetSimilar
The Conversion of Saint Paul by Andrea Vanni, The Metropolitan Museum of Art

The Conversion of Saint Paul

Andrea Vanni (d. 1413)

probably 1380s · Tempera on wood, gold ground

Cleared · Public Domain

live
The MetSimilar
River Landscape with Wagons on a Road near a Village by Joos de Momper the Younger, The Metropolitan Museum of Art

River Landscape with Wagons on a Road near a Village

Joos de Momper the Younger (d. 1635)

1586–1631 · Pen and brown ink, brown wash, traces of black chalk

Cleared · Public Domain

live
The MetSimilar
Terrific Engagement between the "Monitor" 2 guns, and "Merrimac" 10 guns, in Hampton Roads, March 9th, 1862 – The First Fight Between Ironclad Ships of War by Frances Flora Bond Palmer, The Metropolitan Museum of Art

Terrific Engagement between the "Monitor" 2 guns, and "Merrimac" 10 guns, in Hampton Roads, March 9th, 1862 – The First Fight Between Ironclad Ships of War

Frances Flora Bond Palmer (d. 1876)

1862 · Hand-colored lithograph

Cleared · Public Domain

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

The Darktown Fire Brigade -- All on Their Mettle: "Git dere fust if you's bust you trousers!"

Currier & Ives (d. 1907)

1889 · Lithograph, printed in color

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Jay Eye Sore -- De Great World Beater: "When dat colt am warmed he kin lay 'em all out!"

Currier & Ives (d. 1907)

1884–1892 · Hand-colored lithograph, with touches of gum arabic

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Colon: The American Quarter

Joseph Pennell (d. 1926)

1912 · Lithograph

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

U.S. 90, En Route to Del Rio, Texas

Robert Frank (d. 2019)

1955 · Gelatin silver print

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Huntsville, Alabama

William Eggleston (d. 9999)

ca. 1970 · Dye transfer print

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Running Man through Four Frames with Persian Script (All is One) at 2,415,911 and 2,677,372

Jonathan Borofsky (d. 9999)

1976–80 · Black porous point pen and red watercolor with black acrylic paint over traces of graphite on paper

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

The 49 States

Matthew Jensen (d. 9999)

2008–9 · Chromogenic prints

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

When All Roads Are One

Ghiora Aharoni (d. 9999)

2017 · Single-channel digital video, black-and-white, 7 min., 46 sec.; gilded taxi meter, pedestal and vitrine

In copyright

live
The MetSimilar

1. Pin the work

Choose the record and say what you are actually going to do with it. The product re-reads the work live and stores a snapshot, so your docket records what the institution said today.

2. Read the arithmetic

Six weighted factors: the institution's own claim, the creator's term, the publication-age rule, the restrictions in their statement, your use, and whether a credit line is even possible.

3. Seal and export

Record the decision into a SHA-384 chain, then export a dated docket as JSON, CSV or Markdown with the credit line and the seal a colleague can re-verify.