Standing female figure
Nayarit artist(s)
100–400 CE · Ceramic, slip
Cleared · Public Domain
liveThe MetSimilar
Rights clearance desk for images
A painting can be out of copyright and thephotograph of it can still be protected.
Museums publish two different things about the same artwork: whether the work is in copyright, and whether their picture of it is. OpenPlate reads both, does the arithmetic on the published term, and shows you the sentence behind every point of the score.
Where this page got its records
- The Metlive
845 ms. The Metropolitan Museum of Art, Collection API (Open Access)
- Clevelandlive
364 ms. The Cleveland Museum of Art, Open Access API
2 of 2 providers answered live. 1,398 matching records exist across the two collections.
Results for "White Teeth"12 records
Institutions answered newest-first by record, interleaved
Male Figure (nkishi)
Unrecorded maker
late 1800s–early 1900s · Sculpture, Wood, glass beads, brass (including upholstery studs), copper alloy, iron alloy, raffia, reedbuck antelope horn, rawhide, animal hair, human teeth, organic material, minerals, and plant fibers
Cleared · CC0
liveCleveland Museum of ArtSimilar
Standing Female Figure
Nayarit artist(s)
100–400 CE · Ceramic, slip
Cleared · Public Domain
liveThe MetSimilar
Face Mask (Tehe gla)
Unrecorded maker
early 1900s · Mask, Wood, boar tusks, pelt, cloth, human hair, probably aluminum, reeds, iron alloy, copper alloy, plant fiber, and paint
Cleared · CC0
liveCleveland Museum of ArtSimilar
Ko-omote Noh Mask
Unrecorded maker
18th century · Cypress wood with white, black, and red pigments
Cleared · Public Domain
liveThe MetSimilar
Lady with a Parasol
Koikawa Harumasa
early 1800s · Painting, hanging scroll; ink, color, gold, and silver pigments on paper
Cleared · CC0
liveCleveland Museum of ArtSimilar
Plate 12 from "Los Caprichos": Out hunting for teeth (A caza de dientes)
Goya (Francisco de Goya y Lucientes) (d. 1828)
1799 · Etching, burnished aquatint, burin
Cleared · Public Domain
liveThe MetSimilar
Court lady singing and playing the vina (recto)
Muhammad Rizavi Hindi
c. 1760 · Painting, Gum tempera, ink, and gold on paper
Cleared · CC0
liveCleveland Museum of ArtSimilar
Maskette
Unrecorded maker
ca. 1780–1830 · Wood, copper, shell, and pigment
Cleared · Public Domain
liveThe MetSimilar
Court lady singing and playing the vina
Muhammad Rizavi Hindi
c. 1760 · Painting, Gum tempera, ink, and gold on paper
Cleared · CC0
liveCleveland Museum of ArtSimilar
No open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Plates Illustrating the Geology and Scenery of Massachusetts
Orra White Hitchcock (d. 1863)
1833 · Illustrations: lithograph, one hand-colored
In copyright
liveThe MetSimilar
A floral fantasy of animals and birds (Waq-waq)
Unrecorded maker
early 1600s · Painting, Gum tempera and gold on paper
Cleared · CC0
liveCleveland Museum of ArtSimilar
1. Pin the work
Choose the record and say what you are actually going to do with it. The product re-reads the work live and stores a snapshot, so your docket records what the institution said today.
2. Read the arithmetic
Six weighted factors: the institution's own claim, the creator's term, the publication-age rule, the restrictions in their statement, your use, and whether a credit line is even possible.
3. Seal and export
Record the decision into a SHA-384 chain, then export a dated docket as JSON, CSV or Markdown with the credit line and the seal a colleague can re-verify.