
Animal pendant
Unrecorded maker
1–1000 CE · Gold
Cleared · Public Domain
liveRights clearance desk for images
Museums publish two different things about the same artwork: whether the work is in copyright, and whether their picture of it is. OpenPlate reads both, does the arithmetic on the published term, and shows you the sentence behind every point of the score.
Where this page got its records
575 ms. The Metropolitan Museum of Art, Collection API (Open Access)
282 ms. The Cleveland Museum of Art, Open Access API
2 of 2 providers answered live. 17 matching records exist across the two collections.
Institutions answered newest-first by record, interleaved

Animal pendant
Unrecorded maker
1–1000 CE · Gold
Cleared · Public Domain
live
Illustrated Manuscript
Unrecorded maker
dated 815 AH/1412 CE · Ink, opaque watercolor, and gold on paper; leather binding
Cleared · Public Domain
live
Pope Clement X
Girolamo Lucenti (d. 1698)
ca. 1670 · Bronze
Cleared · Public Domain
live
Wig cabinet (cabinet de coiffure)
Johann Daniel Sommer II (d. 1698)
ca. 1685 · Oak and walnut veneered with ebony, ebonized wood, and marquetry of pewter, mother of pearl, and tortoiseshell colored red on the reverse; silver; brocaded damask (not original)
Cleared · Public Domain
live
Commode
André Charles Boulle (d. 1732)
ca. 1710–20 · Walnut veneered with ebony, marquetry of engraved brass and tortoiseshell, gilt-bronze mounts, verd antique marble
Cleared · Public Domain
live
Stand for a small tureen
Vienna
ca. 1730–35 · Hard-paste porcelain decorated in polychrome enamels, gold
Cleared · Public Domain
live
Why then begin..., illustration to "A Bucolick or Discourse of Neatherds"
Edwin Austin Abbey (d. 1911)
ca. 1880 · Pen and ink
Cleared · Public Domain
live
The Harvesters, illustration to "The Leather Bottèl"
Edwin Austin Abbey (d. 1911)
1887 · Pen and ink
Cleared · Public Domain
live
Walt Whitman
John White Alexander (d. 1915)
1889 · Oil on canvas
Cleared · Public Domain
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
The Page, Volume 2
Edward Gordon Craig (d. 1966)
1899 · Illustrations: woodcuts, some hand-colored
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Broadway at Night
Alvin Langdon Coburn (d. 1966)
ca. 1910 · Photogravure
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Ȯkyeame poma (royal spokesperson's staff) with stool, chain, and crossed swords
Asante-Akan artist
ca. 1930s · Wood, gold foil
In copyright
live1. Pin the work
Choose the record and say what you are actually going to do with it. The product re-reads the work live and stores a snapshot, so your docket records what the institution said today.
2. Read the arithmetic
Six weighted factors: the institution's own claim, the creator's term, the publication-age rule, the restrictions in their statement, your use, and whether a credit line is even possible.
3. Seal and export
Record the decision into a SHA-384 chain, then export a dated docket as JSON, CSV or Markdown with the credit line and the seal a colleague can re-verify.