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OpenPlate

Rights clearance desk for images

A painting can be out of copyright and thephotograph of it can still be protected.

Museums publish two different things about the same artwork: whether the work is in copyright, and whether their picture of it is. OpenPlate reads both, does the arithmetic on the published term, and shows you the sentence behind every point of the score.

Where this page got its records

  • The Metlive

    445 ms. The Metropolitan Museum of Art, Collection API (Open Access)

  • Clevelandlive

    279 ms. The Cleveland Museum of Art, Open Access API

Your defaults

United States, editorial use, 10,000 reach.

Change on the terms page

2 of 2 providers answered live. 65 matching records exist across the two collections.

Results for "Wild Roses and Irises"12 records

Institutions answered newest-first by record, interleaved

Quatrain on yellow roses by Empress Yang Meizi, The Metropolitan Museum of Art

Quatrain on yellow roses

Empress Yang Meizi (d. 1232)

early 13th century · Round fan mounted as an album leaf; ink on silk

Cleared · Public Domain

live
The MetSimilar
Brocade by an unrecorded maker, The Metropolitan Museum of Art

Brocade

Unrecorded maker

ca. 1600 · Silk, metal wrapped thread; lampas

Cleared · Public Domain

live
The MetSimilar
Flowering Plants and Vegetables of the Four Seasons by an unrecorded maker, The Metropolitan Museum of Art

Flowering Plants and Vegetables of the Four Seasons

Unrecorded maker

early 18th century · Pair of six-panel folding screens; ink, light color, and gold leaf on paper

Cleared · Public Domain

live
The MetSimilar
Titmouse and Camellias (right), Sparrow and Wild Roses (center), and Black-naped Oriole and Cherry Blossoms (left) by Utagawa Hiroshige, The Metropolitan Museum of Art

Titmouse and Camellias (right), Sparrow and Wild Roses (center), and Black-naped Oriole and Cherry Blossoms (left)

Utagawa Hiroshige (d. 1858)

ca. 1833 · Uncut triptych of woodblock prints; ink and color on paper

Cleared · Public Domain

live
The MetSimilar
Yellow Daisies and Pink Wild Rose by Antoine Berjon, The Metropolitan Museum of Art

Yellow Daisies and Pink Wild Rose

Antoine Berjon (d. 1843)

n.d. · Green, yellow, black, brown, pink, and white chalk

Cleared · Public Domain

live
The MetSimilar
Wild Roses and Irises by John La Farge, The Metropolitan Museum of Art

Wild Roses and Irises

John La Farge (d. 1910)

1887 · Gouache and watercolor on white wove paper

Cleared · Public Domain

live
The MetSimilar
Irises by Vincent van Gogh, The Metropolitan Museum of Art

Irises

Vincent van Gogh (d. 1890)

1890 · Oil on canvas

Cleared · Public Domain

live
The MetSimilar
Roses by Vincent van Gogh, The Metropolitan Museum of Art

Roses

Vincent van Gogh (d. 1890)

1890 · Oil on canvas

Cleared · Public Domain

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Sand and Wild Roses

Alice Boughton (d. 1943)

1906 · Platinum print

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Hat

Schiaparelli (d. 9999)

fall 1939 · silk, straw, horsehair

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

From Oscar Wilde

Anselm Kiefer (d. 9999)

1974 · Watercolor and gouache on paper

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Wild Roses

Joan Snyder (d. 9999)

2010 · Color lithograph, etching, and woodcut on Hahnemuhle German Etching white paper

In copyright

live
The MetSimilar

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2. Read the arithmetic

Six weighted factors: the institution's own claim, the creator's term, the publication-age rule, the restrictions in their statement, your use, and whether a credit line is even possible.

3. Seal and export

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