Rights clearance desk for images
Museums publish two different things about the same artwork: whether the work is in copyright, and whether their picture of it is. OpenPlate reads both, does the arithmetic on the published term, and shows you the sentence behind every point of the score.
Where this page got its records
484 ms. The Metropolitan Museum of Art, Collection API (Open Access)
389 ms. The Cleveland Museum of Art, Open Access API
2 of 2 providers answered live. 16 matching records exist across the two collections.
Institutions answered newest-first by record, interleaved
No open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Wilton album, folio 19a: The Circumcision
Andrea Schiavone (Andrea Meldola) (d. 1563)
1540–50 · Etching and drypoint
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Wilton album, folio 22d: Saint John the Evangelist holding a chalice with a snake; from the larger series of Christ and the Apostles
Andrea Schiavone (Andrea Meldola) (d. 1563)
ca. 1550 · Etching and drypoint
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Wilton album, folio 22e: Saint James Minor; from the larger series of Christ and the Apostles
Andrea Schiavone (Andrea Meldola) (d. 1563)
ca. 1550 · Etching
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Wilton album, folio 22f: Saint Andrew, holding the cross on his left; from the larger series of Christ and the Apostles
Andrea Schiavone (Andrea Meldola) (d. 1563)
ca. 1550 · Etching and drypoint
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Wilton album, folio 24a: Saint James Major, from the larger series of Christ and the Apostles
Andrea Schiavone (Andrea Meldola) (d. 1563)
ca. 1550 · Etching and drypoint
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Wilton album, folio 26d: Saint Peter and Saint John Healing the Lame Man
Andrea Schiavone (Andrea Meldola) (d. 1563)
1540–50 · Etching and drypoint
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Wilton album, folio 52b: The Annunciation
Ventura Salimbeni (d. 1613)
1594 · Etching with engraving
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Wilton album, folio 39a: The Virgin and Child with the Infant John the Baptist
Ludovico Carracci (d. 1619)
1602–4 · Engraving and drypoint
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Wilton album, folio 44a: Christ Crowned with Thorns
Annibale Carracci (d. 1609)
1606 · Etching
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Wilton album, folio 40 verso: The Drunken Silenus (Paniere Farnese)
Francesco Villamena (d. 1624)
ca. 1598–1601 · Engraving printed from a silver plate
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Wilton album, folio 32a: Design for an overdoor with allegorical figures of Abundance, a river god and two crowned figures
Anonymous
1580–1650 · Etching, on two plates
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Wilton album, folio 103: plate 1: two trumpeters seen from behind, descending a hill on their horses, a soldier on horseback at left and a group of musicians at right, from "Military scenes"
Jacques Courtois (d. 1676)
ca. 1635–60 · Etching
In copyright
live1. Pin the work
Choose the record and say what you are actually going to do with it. The product re-reads the work live and stores a snapshot, so your docket records what the institution said today.
2. Read the arithmetic
Six weighted factors: the institution's own claim, the creator's term, the publication-age rule, the restrictions in their statement, your use, and whether a credit line is even possible.
3. Seal and export
Record the decision into a SHA-384 chain, then export a dated docket as JSON, CSV or Markdown with the credit line and the seal a colleague can re-verify.