Rights clearance desk for images
Museums publish two different things about the same artwork: whether the work is in copyright, and whether their picture of it is. OpenPlate reads both, does the arithmetic on the published term, and shows you the sentence behind every point of the score.
Where this page got its records
276 ms. The Metropolitan Museum of Art, Collection API (Open Access)
264 ms. The Cleveland Museum of Art, Open Access API
2 of 2 providers answered live. 13 matching records exist across the two collections.
Institutions answered newest-first by record, interleaved
Bacchanal with infant satyrs and putti at left, a naked male figure reclines in front of a pedestal carved in bas-relief, two clothed figures look toward the right
Giulio Carpioni (d. 1678)
1633–78 · Etching
Cleared · Public Domain
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Wilton album, folio 4c: The Resurrection; Christ holding a banner in his right hand, standing on his tomb; standing and reclining soldiers in the lower left
Parmigianino (Girolamo Francesco Maria Mazzola) (d. 1540)
1524–27 · Etching
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Wilton album, folio 19h: Apollo and Python; the nude god standing on the left, Cupid in the right hand corner
Andrea Schiavone (Andrea Meldola) (d. 1563)
1535–40 · Etching
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Wilton album, folio 4d: Christ and the Women on the Staircase; Christ, at the foot of a flight of stairs, raising his hand in a gesture of blessing towards a group of women seated and standing at the top; two men in the lower right corner
Andrea Schiavone (Andrea Meldola) (d. 1563)
1540–45 · Drypoint
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Wilton album, folio 26b: The Virgin and Child with Saints; the Virgin facing left, Saint John the Evangelist holding the chalice with the snake standing on the left
Andrea Schiavone (Andrea Meldola) (d. 1563)
1550–55 · Etching and drypoint
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Wilton album, folio 14e: Standing Saint, holding a spear, looking left
Andrea Schiavone (Andrea Meldola) (d. 1563)
1555–60 · Etching and drypoint
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Wilton album, folio 51: A Pagan Religious Ceremony; eight male figures standing around a flaming altar, the figure on the right pouring libations on the flames
Bartolomeo Passerotti (d. 1592)
1550–60 · Etching
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Wilton album, folio 12c: Standing Young Woman or Caryatid in Roman Dress
Angiolo Falconetto (d. 1567)
1527–67 · Etching
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Wilton album, folio 134: Saint Francis adoring the crucifix, standing in profile facing left with his hands in prayer on top of a book, a skull at lower right and a rocky landscape in the background
Agostino Carracci (d. 1602)
ca. 1583 · Engraving
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Wilton album, folio 12d: Standing Shepherd, a dog visible behind him
Anonymous
1527–1600 · Etching
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Wilton album, folio 75: Saint Catherine, standing in the clouds with her left foot resting on a broken wheel, holding a sword in her left hand and a palm in her right hand
Peter Paul Rubens (d. 1640)
ca. 1620–30 · Etching
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Wilton album, folio 78: The Martyrdom of Saint Barbara, with the saint kneeling at right with her hands tied, a man standing at left with a sword in his left hand, two angels above at right
Willem Basse (d. 1672)
ca. 1628–48 · Etching
In copyright
live1. Pin the work
Choose the record and say what you are actually going to do with it. The product re-reads the work live and stores a snapshot, so your docket records what the institution said today.
2. Read the arithmetic
Six weighted factors: the institution's own claim, the creator's term, the publication-age rule, the restrictions in their statement, your use, and whether a credit line is even possible.
3. Seal and export
Record the decision into a SHA-384 chain, then export a dated docket as JSON, CSV or Markdown with the credit line and the seal a colleague can re-verify.