Rights clearance desk for images
Museums publish two different things about the same artwork: whether the work is in copyright, and whether their picture of it is. OpenPlate reads both, does the arithmetic on the published term, and shows you the sentence behind every point of the score.
Where this page got its records
287 ms. The Metropolitan Museum of Art, Collection API (Open Access)
584 ms. The Cleveland Museum of Art, Open Access API
2 of 2 providers answered live. 64 matching records exist across the two collections.
Institutions answered newest-first by record, interleaved
No open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Wilton album, folio 14m: Saint Philip, facing right
Andrea Schiavone (Andrea Meldola) (d. 1563)
ca. 1540 · Etching and drypoint
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Wilton album, folio 14n: Saint Bartholomew, facing left
Andrea Schiavone (Andrea Meldola) (d. 1563)
ca. 1540 · Etching and drypoint
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Wilton album, folio 17d: A woman, facing right, writing on a tablet; possibly an allegory of geometry
Andrea Schiavone (Andrea Meldola) (d. 1563)
1535–40 · Etching and drypoint
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Wilton album, folio 12e: Seated Philosopher, facing left
Master F. P. (d. 1600)
1527–50 · Etching, on blue paper
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Wilton album, folio 12g: A Woman Facing Left Extending her Right Arm Toward an Altar, four figures behind her
Master F. P. (d. 1600)
1527–50 · Etching
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Wilton album, folio 17h: A Woman Examining an Armillary Sphere
Master F. P. (d. 1600)
1527–50 · Etching
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Wilton album, folio 17i: A Woman Holding a Vessel or Plate; possibly the Vestal Virgin Tuccia
Master F. P. (d. 1600)
1527–50 · Etching
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Wilton album, folio 17j: A Woman facing left holding a large shield; possibly Bellona
Master F. P. (d. 1600)
1527–50 · Etching
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Wilton album, folio 19b: Pegasus Crowned by a Muse, or Saturn and Philyra; the horse facing right
Andrea Schiavone (Andrea Meldola) (d. 1563)
1540–50 · Etching and drypoint, printed in green ink
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Wilton album, folio 7c: The Vision of Saint Helena; or a pensive woman, seated at a window, facing right
Anonymous
1520–80 · Etching and engraving
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Wilton album, folio 16d: A girl, facing right, holding a cushion
Guido Reni (d. 1642)
1590–1640 · Etching
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Wilton album, folio 56e: Seated woman holding a chalice
Anonymous
1550–1650 · Etching
In copyright
live1. Pin the work
Choose the record and say what you are actually going to do with it. The product re-reads the work live and stores a snapshot, so your docket records what the institution said today.
2. Read the arithmetic
Six weighted factors: the institution's own claim, the creator's term, the publication-age rule, the restrictions in their statement, your use, and whether a credit line is even possible.
3. Seal and export
Record the decision into a SHA-384 chain, then export a dated docket as JSON, CSV or Markdown with the credit line and the seal a colleague can re-verify.