Rights clearance desk for images
Museums publish two different things about the same artwork: whether the work is in copyright, and whether their picture of it is. OpenPlate reads both, does the arithmetic on the published term, and shows you the sentence behind every point of the score.
Where this page got its records
237 ms. The Metropolitan Museum of Art, Collection API (Open Access)
258 ms. The Cleveland Museum of Art, Open Access API
2 of 2 providers answered live. 109 matching records exist across the two collections.
Institutions answered newest-first by record, interleaved
No open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Wilton album, folio 35a: Apollo and Cupid; the god holding a lyre and Cupid reclining at his feet
Paolo Farinati (d. 1606)
1560–70 · Etching and engraving
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Wilton album, folio 134: Corpus Christi, the dead Christ supported by two angels, Mary Magdalene reaching out to touch him at top center, from 'Santini'
Agostino Carracci (d. 1602)
1581 · Engraving
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Wilton album, folio 134: Mary Magdalen, looking up towards a light at the left, holding a cross in her left hand, a skull at lower right, from 'Santini'
Agostino Carracci (d. 1602)
1581 · Engraving
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Wilton album, folio 134: Saint Jerome, half-length in profile to the left, beating his chest with a stone, a lion at lower left, from 'Santini'
Agostino Carracci (d. 1602)
1581 · Engraving
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Wilton album, folio 134: Saint Veronica, looking downwards at the sudarium, from 'Santini'
Agostino Carracci (d. 1602)
ca. 1581 · Engraving
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Wilton album, folio 134: Salvator Mundi, Christ, half-length, holding up two fingers on his right hand and carrying the orb of the world in his left hand, from 'Santini'
Agostino Carracci (d. 1602)
ca. 1581 · Engraving
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Wilton album, folio 134: The Holy Family, The Virgin Mary at right with the Christ child in her lap, who gestures upwards, Joseph at left, from 'Santini'
Agostino Carracci (d. 1602)
1581 · Engraving
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Wilton album, folio 134: The Virgin Annunciate, the Virgin Mary, half-length and looking upwards to the right at the Holy Spirit in the form of a dove, from 'Santini'
Agostino Carracci (d. 1602)
1581 · Engraving
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Wilton album, folio 134: The Virgin Mary, half-length looking upwards to the left, with her hands in prayer, from 'Santini'
Agostino Carracci (d. 1602)
1581 · Engraving
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Wilton album, folio 134: Saint Francis receiving the stigmata, facing right with his hands open
Agostino Carracci (d. 1602)
ca. 1583 · Engraving
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Wilton album, folio 34b: Charity, sitting under a tree, holidng on of three putti in her arms
Paolo Farinati (d. 1606)
1560–90 · Etching
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Wilton album, folio 43c: Alfonso Paleotti Worshipping Christ's Shroud
Francesco Brizio (d. 1623)
ca. 1598 · Engraving
In copyright
live1. Pin the work
Choose the record and say what you are actually going to do with it. The product re-reads the work live and stores a snapshot, so your docket records what the institution said today.
2. Read the arithmetic
Six weighted factors: the institution's own claim, the creator's term, the publication-age rule, the restrictions in their statement, your use, and whether a credit line is even possible.
3. Seal and export
Record the decision into a SHA-384 chain, then export a dated docket as JSON, CSV or Markdown with the credit line and the seal a colleague can re-verify.