Rights clearance desk for images
Museums publish two different things about the same artwork: whether the work is in copyright, and whether their picture of it is. OpenPlate reads both, does the arithmetic on the published term, and shows you the sentence behind every point of the score.
Where this page got its records
248 ms. The Metropolitan Museum of Art, Collection API (Open Access)
309 ms. The Cleveland Museum of Art, Open Access API
2 of 2 providers answered live. 211 matching records exist across the two collections.
Institutions answered newest-first by record, interleaved
No open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Wilton album, folio 19a: The Circumcision
Andrea Schiavone (Andrea Meldola) (d. 1563)
1540–50 · Etching and drypoint
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Wilton album, folio 22a: Christ the Saviour, from the larger series of Christ and the Apostles
Andrea Schiavone (Andrea Meldola) (d. 1563)
ca. 1550 · Etching and drypoint
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Wilton album, folio 13a: The Tomb of a Youth with the Virgin and Child
Angiolo Falconetto (d. 1567)
1530–67 · Etching
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Wilton album, folio 13b: The Tomb of a Bishop with the Virgin and Child
Battista Angolo del Moro (d. 1573)
1550–70 · Etching
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Wilton album, folio 28b: The Holy Family with Mary Magdalene and a Male Saint
Battista Angolo del Moro (d. 1573)
1550–70 · Etching and engraving
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Wilton album, folio 57a: Saint Francis of Assisi Receiving the Stigmata
Federico Barocci (d. 1612)
1580–81 · Etching
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Wilton album, folio 42a: The Holy Family; saint Joseph, to the right, holding a book
Annibale Carracci (d. 1609)
1590 · Etching and engraving
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Wilton album, folio 53b: The Marriage of the Virgin
Ventura Salimbeni (d. 1613)
1590 · Etching and engraving
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Wilton album, folio 55a: Saint Francis Consoled by a Musical Angel
Francesco Vanni (d. 1610)
ca. 1595 · Etching
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Wilton album, folio 54a: The Virgin and Child with Saint Joseph in the Background
Ventura Salimbeni (d. 1613)
1590–1613 · Counterproof of etching
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Wilton album, folio 54b: The Virgin and Child with Saint Joseph in the Background
Ventura Salimbeni (d. 1613)
1590–1613 · Etching
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Wilton album, folio 62: The Lamentation over the Dead Christ
Orazio Borgianni (d. 1616)
1615 · Etching
In copyright
live1. Pin the work
Choose the record and say what you are actually going to do with it. The product re-reads the work live and stores a snapshot, so your docket records what the institution said today.
2. Read the arithmetic
Six weighted factors: the institution's own claim, the creator's term, the publication-age rule, the restrictions in their statement, your use, and whether a credit line is even possible.
3. Seal and export
Record the decision into a SHA-384 chain, then export a dated docket as JSON, CSV or Markdown with the credit line and the seal a colleague can re-verify.