Rights clearance desk for images
Museums publish two different things about the same artwork: whether the work is in copyright, and whether their picture of it is. OpenPlate reads both, does the arithmetic on the published term, and shows you the sentence behind every point of the score.
Where this page got its records
148 ms. The Metropolitan Museum of Art, Collection API (Open Access)
332 ms. The Cleveland Museum of Art, Open Access API
2 of 2 providers answered live. 7 matching records exist across the two collections.
Institutions answered newest-first by record, interleaved
No open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Wilton album, folio 14i: Saint Simon, looking left, holding a staff
Andrea Schiavone (Andrea Meldola) (d. 1563)
ca. 1540 · Etching
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Wilton album, folio 23f: Saint Simon, from the larger series of Christ and the Apostles
Andrea Schiavone (Andrea Meldola) (d. 1563)
ca. 1550 · Etching and drypoint
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Wilton album, folio 142: Saint Simon, facing right and holding a halberd under his right arm, from 'Christ, the Virgin, John the Baptist, and the Twelve Apostles'
Agostino Carracci (d. 1602)
1583 · Engraving
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Wilton album, folio 128: The child martyr Saint Simon of Trento, holding a palm in his right hand
Anonymous
1607 · Engraving
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Wilton album, folio 66: Saint Peter kneeling in a rocky landscape, looking up towards the right and clasping his hands, his keys on a rock at lower right
Jusepe de Ribera (called Lo Spagnoletto) (d. 1652)
1621 · Etching and engraving
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Wilton album, folio 63a: The Martyrdom of Saint Bartholomew
Jusepe de Ribera (called Lo Spagnoletto) (d. 1652)
1624 · Etching, with engraving
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Wilton album, folio 64a: Saint Jerome in the Wilderness Reading
Jusepe de Ribera (called Lo Spagnoletto) (d. 1652)
1624 · Etching, with engraving and drypoint
In copyright
live1. Pin the work
Choose the record and say what you are actually going to do with it. The product re-reads the work live and stores a snapshot, so your docket records what the institution said today.
2. Read the arithmetic
Six weighted factors: the institution's own claim, the creator's term, the publication-age rule, the restrictions in their statement, your use, and whether a credit line is even possible.
3. Seal and export
Record the decision into a SHA-384 chain, then export a dated docket as JSON, CSV or Markdown with the credit line and the seal a colleague can re-verify.