Rights clearance desk for images
Museums publish two different things about the same artwork: whether the work is in copyright, and whether their picture of it is. OpenPlate reads both, does the arithmetic on the published term, and shows you the sentence behind every point of the score.
Where this page got its records
278 ms. The Metropolitan Museum of Art, Collection API (Open Access)
326 ms. The Cleveland Museum of Art, Open Access API
2 of 2 providers answered live. 104 matching records exist across the two collections.
Institutions answered newest-first by record, interleaved
No open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Wilton album, folio 14l: Christ the Saviour
Andrea Schiavone (Andrea Meldola) (d. 1563)
ca. 1540 · Etching and drypoint
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Wilton album, folio 22a: Christ the Saviour, from the larger series of Christ and the Apostles
Andrea Schiavone (Andrea Meldola) (d. 1563)
ca. 1550 · Etching and drypoint
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Wilton album, folio 22c: Saint Thomas; from the larger series of Christ and the Apostles
Andrea Schiavone (Andrea Meldola) (d. 1563)
ca. 1550 · Etching and drypoint
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Wilton album, folio 23c: Saint Peter; from the larger series of Christ and the Apostles
Andrea Schiavone (Andrea Meldola) (d. 1563)
ca. 1550 · Etching and drypoint
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Wilton album, folio 42d: The Virgin Nursing the Christ Child
Annibale Carracci (d. 1609)
1585–87 · Etching and engraving
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Wilton album, folio 53c: The Glory of the Virgin
Ventura Salimbeni (d. 1613)
1590 · Etching and engraving
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Wilton album, folio 39b: The Virgin Nursing the Christ Child
Ludovico Carracci (d. 1619)
1592 · Etching
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Wilton album, folio 43a: The Christ of Caprarola (The Pietà)
Annibale Carracci (d. 1609)
1597 · Etching, engraving, and drypoint
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Wilton album, folio 43b: The Christ of Caprarola (The Pietà)
Agostino Carracci (d. 1602)
1598 · Engraving
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Wilton album, folio 44a: Christ Crowned with Thorns
Annibale Carracci (d. 1609)
1606 · Etching
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Wilton album, folio 62: The Lamentation over the Dead Christ
Orazio Borgianni (d. 1616)
1615 · Etching
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Wilton album, folio 64b: The Lamentation over the Dead Christ
Anonymous
ca. 1624 · Etching
In copyright
live1. Pin the work
Choose the record and say what you are actually going to do with it. The product re-reads the work live and stores a snapshot, so your docket records what the institution said today.
2. Read the arithmetic
Six weighted factors: the institution's own claim, the creator's term, the publication-age rule, the restrictions in their statement, your use, and whether a credit line is even possible.
3. Seal and export
Record the decision into a SHA-384 chain, then export a dated docket as JSON, CSV or Markdown with the credit line and the seal a colleague can re-verify.