
Wilton Album, folio 10a: Priapus and Lotis
Anonymous, Italian, 16th century (d. 1600)
ca. 1530–50 · Etching
Cleared · Public Domain
liveRights clearance desk for images
Museums publish two different things about the same artwork: whether the work is in copyright, and whether their picture of it is. OpenPlate reads both, does the arithmetic on the published term, and shows you the sentence behind every point of the score.
Where this page got its records
206 ms. The Metropolitan Museum of Art, Collection API (Open Access)
534 ms. The Cleveland Museum of Art, Open Access API
2 of 2 providers answered live. 5 matching records exist across the two collections.
Institutions answered newest-first by record, interleaved

Wilton Album, folio 10a: Priapus and Lotis
Anonymous, Italian, 16th century (d. 1600)
ca. 1530–50 · Etching
Cleared · Public Domain
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Wilton album, folio 18b: Apollo and Daphne; the nymph to the left, a river god in the lower left
Andrea Schiavone (Andrea Meldola) (d. 1563)
ca. 1540 · Etching and drypoint
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Wilton album, folio 18f: Apollo and Daphne; to the right, the nymph seen frontally, a river god at her feet
Andrea Schiavone (Andrea Meldola) (d. 1563)
ca. 1540 · Etching and drypoint
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Wilton album, folio 19h: Apollo and Python; the nude god standing on the left, Cupid in the right hand corner
Andrea Schiavone (Andrea Meldola) (d. 1563)
1535–40 · Etching
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Wilton album, folio 35a: Apollo and Cupid; the god holding a lyre and Cupid reclining at his feet
Paolo Farinati (d. 1606)
1560–70 · Etching and engraving
In copyright
live1. Pin the work
Choose the record and say what you are actually going to do with it. The product re-reads the work live and stores a snapshot, so your docket records what the institution said today.
2. Read the arithmetic
Six weighted factors: the institution's own claim, the creator's term, the publication-age rule, the restrictions in their statement, your use, and whether a credit line is even possible.
3. Seal and export
Record the decision into a SHA-384 chain, then export a dated docket as JSON, CSV or Markdown with the credit line and the seal a colleague can re-verify.