Rights clearance desk for images
Museums publish two different things about the same artwork: whether the work is in copyright, and whether their picture of it is. OpenPlate reads both, does the arithmetic on the published term, and shows you the sentence behind every point of the score.
Where this page got its records
218 ms. The Metropolitan Museum of Art, Collection API (Open Access)
261 ms. The Cleveland Museum of Art, Open Access API
2 of 2 providers answered live. 6 matching records exist across the two collections.
Institutions answered newest-first by record, interleaved
No open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Wilton album, folio 20b:The Entombment; Joseph of Arimathea (?) on the left holding a crown of thorns above Christ's head
Parmigianino (Girolamo Francesco Maria Mazzola) (d. 1540)
1524–27 · Etching
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Wilton album, folio 69: The entombment of Christ, who is laying on the tomb facing left, the Virgin Mary at left along with other female saints, the crown of thorns below at left
Parmigianino (Girolamo Francesco Maria Mazzola) (d. 1540)
ca. 1503–40 · Etching
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Wilton album, folio 21a: The Lamentation over the Dead Christ, or The Entombment; Christ's body, on the right, reclining on a tomb, the Virgin swooning on the left
Andrea Schiavone (Andrea Meldola) (d. 1563)
1545–50 · Etching and drypoint
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Wilton album, folio 21b: The Lamentation over the Dead Christ, or The Entombment; Christ, seated on the right, with a kneeling female figure in fron of him, the Virgin swooning on the left
Andrea Schiavone (Andrea Meldola) (d. 1563)
1545–50 · Etching and drypoint
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Wilton album, folio 26c: The Lamentation over the Dead Christ, or The Entombment; Christ, seated on the right, with a kneeling female figure in fron of him, the Virgin swooning on the left
Andrea Schiavone (Andrea Meldola) (d. 1563)
1545–50 · Etching and drypoint
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Wilton album, folio 20a:The Entombment; Christ to the left, the Virgin to the right
Guido Reni (d. 1642)
1590–1600 · Etching
In copyright
live1. Pin the work
Choose the record and say what you are actually going to do with it. The product re-reads the work live and stores a snapshot, so your docket records what the institution said today.
2. Read the arithmetic
Six weighted factors: the institution's own claim, the creator's term, the publication-age rule, the restrictions in their statement, your use, and whether a credit line is even possible.
3. Seal and export
Record the decision into a SHA-384 chain, then export a dated docket as JSON, CSV or Markdown with the credit line and the seal a colleague can re-verify.