
Descrizione del Sacro Monte della Vernia (Description of the Sacred Mount Alverno)
Domenico Falcini (d. 1628)
1612 · Engraving
Cleared · Public Domain
liveRights clearance desk for images
Museums publish two different things about the same artwork: whether the work is in copyright, and whether their picture of it is. OpenPlate reads both, does the arithmetic on the published term, and shows you the sentence behind every point of the score.
Where this page got its records
901 ms. The Metropolitan Museum of Art, Collection API (Open Access)
323 ms. The Cleveland Museum of Art, Open Access API
2 of 2 providers answered live. 11 matching records exist across the two collections.
Institutions answered newest-first by record, interleaved

Descrizione del Sacro Monte della Vernia (Description of the Sacred Mount Alverno)
Domenico Falcini (d. 1628)
1612 · Engraving
Cleared · Public Domain
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Wilton album, folio 27b: The Holy Family with Saints Elizabeth, John the Baptist, and Mary Magdalene (?)
Andrea Schiavone (Andrea Meldola) (d. 1563)
1550–55 · Etching and drypoint
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Wilton album, folio 8b: The Holy Family with Saints; the Infant John the Baptist, lower right, presenting an offering to the Christ Child in the presence of Mary Magdalene and a bishop saint
Andrea Schiavone (Andrea Meldola) (d. 1563)
1550–55 · Etching and drypoint
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Wilton album, folio 28b: The Holy Family with Mary Magdalene and a Male Saint
Battista Angolo del Moro (d. 1573)
1550–70 · Etching and engraving
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Wilton album, folio 35c: Mary Magdalen in prayer in front of a crucifix
Paolo Farinati (d. 1606)
1560–81 · Etching, with drypoint
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Wilton album, folio 134: Corpus Christi, the dead Christ supported by two angels, Mary Magdalene reaching out to touch him at top center, from 'Santini'
Agostino Carracci (d. 1602)
1581 · Engraving
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Wilton album, folio 134: Mary Magdalen, half length and looking downwards, with a jar of ointment in her right hand and holding her hair between her left fingers, from 'Four Female Saints'
Agostino Carracci (d. 1602)
ca. 1581 · Engraving
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Wilton album, folio 134: Mary Magdalen, looking up towards a light at the left, holding a cross in her left hand, a skull at lower right, from 'Santini'
Agostino Carracci (d. 1602)
1581 · Engraving
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Wilton album, folio 76: Mary Magdalene repentant in the wilderness, looking up towards the left and pulling on her hair
Peter Paul Rubens (d. 1640)
ca. 1620–30 · Etching
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Wilton album, folio 58c: The Penitent Mary Magdalen
Giulio Carpioni (d. 1678)
1640–55 · Etching
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Wilton album, folio 107: The Virgin Mary at center with the Christ child in her lap, Mary Magdalene at right with her jar of unguent, angels overhead
Carlo Maratti (d. 1713)
ca. 1645–60 · Etching
In copyright
live1. Pin the work
Choose the record and say what you are actually going to do with it. The product re-reads the work live and stores a snapshot, so your docket records what the institution said today.
2. Read the arithmetic
Six weighted factors: the institution's own claim, the creator's term, the publication-age rule, the restrictions in their statement, your use, and whether a credit line is even possible.
3. Seal and export
Record the decision into a SHA-384 chain, then export a dated docket as JSON, CSV or Markdown with the credit line and the seal a colleague can re-verify.