Rights clearance desk for images
Museums publish two different things about the same artwork: whether the work is in copyright, and whether their picture of it is. OpenPlate reads both, does the arithmetic on the published term, and shows you the sentence behind every point of the score.
Where this page got its records
242 ms. The Metropolitan Museum of Art, Collection API (Open Access)
338 ms. The Cleveland Museum of Art, Open Access API
2 of 2 providers answered live. 8 matching records exist across the two collections.
Institutions answered newest-first by record, interleaved
No open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Wilton album, folio 17e: Venus Disarming Cupid; the goddess on the left, seated in front of a herm, holding aloft a bow out of Cupid's reach
Andrea Schiavone (Andrea Meldola) (d. 1563)
1535–40 · Etching and drypoint
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Wilton album, folio 2: The Judgement of Paris; the shepherd Paris, seated on the right, presenting the golden apple to the goddess Venus
Andrea Schiavone (Andrea Meldola) (d. 1563)
1543–46 · Drypoint; engraved on two plates
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Wilton album, folio 33a: Venus and Cupid in the Clouds
Paolo Farinati (d. 1606)
ca. 1566 · Etching, with engraving
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Wilton album, folio 36b: Sleeping Cupid
Paolo Farinati (d. 1606)
1560–90 · Etching
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Wilton album, folio 45b: Venus, Cupid and a Satyr
Annibale Carracci (d. 1609)
1592 · Etching and engraving
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Wilton album, folio 55c: Venus, seated on the left, holding Cupid on her lap
Anonymous
1590–1660 · Etching
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Wilton album, folio 56b: Venus, seated on the right, taking Cupid under her arm
Anonymous
1590–1660 · Etching
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Wilton album, folio 100: Venus and Cupid, Cupid piercing Venus' finger with an arrow
Giacomo Gallinari (d. 1700)
ca. 1676–1700 · Etching
In copyright
live1. Pin the work
Choose the record and say what you are actually going to do with it. The product re-reads the work live and stores a snapshot, so your docket records what the institution said today.
2. Read the arithmetic
Six weighted factors: the institution's own claim, the creator's term, the publication-age rule, the restrictions in their statement, your use, and whether a credit line is even possible.
3. Seal and export
Record the decision into a SHA-384 chain, then export a dated docket as JSON, CSV or Markdown with the credit line and the seal a colleague can re-verify.