Rights clearance desk for images
Museums publish two different things about the same artwork: whether the work is in copyright, and whether their picture of it is. OpenPlate reads both, does the arithmetic on the published term, and shows you the sentence behind every point of the score.
Where this page got its records
86 ms. The Metropolitan Museum of Art, Collection API (Open Access)
272 ms. The Cleveland Museum of Art, Open Access API
2 of 2 providers answered live. 264 matching records exist across the two collections.
Institutions answered newest-first by record, interleaved
No open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Wilton album, folio 18j: The Virgin and Child
Parmigianino (Girolamo Francesco Maria Mazzola) (d. 1540)
1524–27 · Etching
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Wilton album, folio 31: The Marriage of the Virgin
Giovanni Jacopo Caraglio (d. 1565)
1524–27 · Engraving
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Wilton album, folio 19i: The Holy Family; the Virgin and Child on the right, Saint Joseph in the lower left corner
Andrea Schiavone (Andrea Meldola) (d. 1563)
1535–40 · Etching and drypoint
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Wilton album, folio 57b: The Virgin and Child Seated on a Cloud
Federico Barocci (d. 1612)
1580–81 · Etching and engraving
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Wilton album, folio 42d: The Virgin Nursing the Christ Child
Annibale Carracci (d. 1609)
1585–87 · Etching and engraving
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Wilton album, folio 53b: The Marriage of the Virgin
Ventura Salimbeni (d. 1613)
1590 · Etching and engraving
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Wilton album, folio 53c: The Glory of the Virgin
Ventura Salimbeni (d. 1613)
1590 · Etching and engraving
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Wilton album, folio 39b: The Virgin Nursing the Christ Child
Ludovico Carracci (d. 1619)
1592 · Etching
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Wilton album, folio 39c: The Virgin and Child with Angels
Ludovico Carracci (d. 1619)
1590–1605 · Etching and engraving
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Wilton album, folio 54a: The Virgin and Child with Saint Joseph in the Background
Ventura Salimbeni (d. 1613)
1590–1613 · Counterproof of etching
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Wilton album, folio 58a: The Madonna of the Rosary
Giulio Carpioni (d. 1678)
1640–55 · Etching
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Wilton album, folio 58d: The Holy Family with the Virgin Reading
Giulio Carpioni (d. 1678)
1640–55 · Etching
In copyright
live1. Pin the work
Choose the record and say what you are actually going to do with it. The product re-reads the work live and stores a snapshot, so your docket records what the institution said today.
2. Read the arithmetic
Six weighted factors: the institution's own claim, the creator's term, the publication-age rule, the restrictions in their statement, your use, and whether a credit line is even possible.
3. Seal and export
Record the decision into a SHA-384 chain, then export a dated docket as JSON, CSV or Markdown with the credit line and the seal a colleague can re-verify.