
The Virgin seated on a cloud
Federico Barocci (d. 1612)
1580–84 · Etching with some engraving
Cleared · Public Domain
liveRights clearance desk for images
Museums publish two different things about the same artwork: whether the work is in copyright, and whether their picture of it is. OpenPlate reads both, does the arithmetic on the published term, and shows you the sentence behind every point of the score.
Where this page got its records
177 ms. The Metropolitan Museum of Art, Collection API (Open Access)
628 ms. The Cleveland Museum of Art, Open Access API
2 of 2 providers answered live. 6 matching records exist across the two collections.
Institutions answered newest-first by record, interleaved

The Virgin seated on a cloud
Federico Barocci (d. 1612)
1580–84 · Etching with some engraving
Cleared · Public Domain
live
Chief Etchers and Best Italian (Wilton House Album)
Unrecorded maker
early 18th century binding
Cleared · Public Domain
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Wilton album, folio 7c: The Vision of Saint Helena; or a pensive woman, seated at a window, facing right
Anonymous
1520–80 · Etching and engraving
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Wilton album, folio 69: Allegory of learning, a woman seated at left with a compass in her left hand and a tablet in her right hand, a putto holding a feather at right
Guido Reni (d. 1642)
ca. 1600–42 · Etching
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Wilton album, folio 56e: Seated woman holding a chalice
Anonymous
1550–1650 · Etching
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Wilton album, folio 60: A Bacchic frieze scene with putti and satyrs; an old woman seated and a nude man reclining in front of an altar to the right; satyrs and infants revelling on the left
Giulio Carpioni (d. 1678)
1640–55 · Etching
In copyright
live1. Pin the work
Choose the record and say what you are actually going to do with it. The product re-reads the work live and stores a snapshot, so your docket records what the institution said today.
2. Read the arithmetic
Six weighted factors: the institution's own claim, the creator's term, the publication-age rule, the restrictions in their statement, your use, and whether a credit line is even possible.
3. Seal and export
Record the decision into a SHA-384 chain, then export a dated docket as JSON, CSV or Markdown with the credit line and the seal a colleague can re-verify.