Rights clearance desk for images
Museums publish two different things about the same artwork: whether the work is in copyright, and whether their picture of it is. OpenPlate reads both, does the arithmetic on the published term, and shows you the sentence behind every point of the score.
Where this page got its records
244 ms. The Metropolitan Museum of Art, Collection API (Open Access)
276 ms. The Cleveland Museum of Art, Open Access API
2 of 2 providers answered live. 102 matching records exist across the two collections.
Institutions answered newest-first by record, interleaved
No open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Wilton album, folio 14h: Saint Peter
Andrea Schiavone (Andrea Meldola) (d. 1563)
ca. 1540 · Etching and drypoint
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Wilton album, folio 14m: Saint Philip, facing right
Andrea Schiavone (Andrea Meldola) (d. 1563)
ca. 1540 · Etching and drypoint
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Wilton album, folio 14o: Saint Paul, looking left
Andrea Schiavone (Andrea Meldola) (d. 1563)
ca. 1540 · Etching and drypoint
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Wilton album, folio 14p: Saint Jude
Andrea Schiavone (Andrea Meldola) (d. 1563)
ca. 1540 · Etching and drypoint
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Wilton album, folio 22c: Saint Thomas; from the larger series of Christ and the Apostles
Andrea Schiavone (Andrea Meldola) (d. 1563)
ca. 1550 · Etching and drypoint
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Wilton album, folio 57a: Saint Francis of Assisi Receiving the Stigmata
Federico Barocci (d. 1612)
1580–81 · Etching
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Wilton album, folio 44c: Saint Jerome; the saint reading in front of a crucifix, holding spectacles on his nose
Annibale Carracci (d. 1609)
ca. 1585 · Engraving
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Wilton album, folio 53a: Saint Agnes
Ventura Salimbeni (d. 1613)
1590 · Etching with engraving
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Wilton album, folio 45a: Saint Jerome in the Wilderness
Annibale Carracci (d. 1609)
ca. 1591 · Etching and engraving
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Wilton album, folio 43c: Alfonso Paleotti Worshipping Christ's Shroud
Francesco Brizio (d. 1623)
ca. 1598 · Engraving
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Wilton album, folio 64a: Saint Jerome in the Wilderness Reading
Jusepe de Ribera (called Lo Spagnoletto) (d. 1652)
1624 · Etching, with engraving and drypoint
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Wilton album, folio 67: Saint Jerome reading in a landscape
Anonymous
ca. 1600–42 · Etching
In copyright
live1. Pin the work
Choose the record and say what you are actually going to do with it. The product re-reads the work live and stores a snapshot, so your docket records what the institution said today.
2. Read the arithmetic
Six weighted factors: the institution's own claim, the creator's term, the publication-age rule, the restrictions in their statement, your use, and whether a credit line is even possible.
3. Seal and export
Record the decision into a SHA-384 chain, then export a dated docket as JSON, CSV or Markdown with the credit line and the seal a colleague can re-verify.