Rights clearance desk for images
Museums publish two different things about the same artwork: whether the work is in copyright, and whether their picture of it is. OpenPlate reads both, does the arithmetic on the published term, and shows you the sentence behind every point of the score.
Where this page got its records
209 ms. The Metropolitan Museum of Art, Collection API (Open Access)
320 ms. The Cleveland Museum of Art, Open Access API
2 of 2 providers answered live. 6 matching records exist across the two collections.
Institutions answered newest-first by record, interleaved
No open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Wilton album, folio 17a: Mercury, holding a caduceus
Andrea Schiavone (Andrea Meldola) (d. 1563)
1530–40 · Etching and drypoint
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Wilton album, folio 17d: A woman, facing right, writing on a tablet; possibly an allegory of geometry
Andrea Schiavone (Andrea Meldola) (d. 1563)
1535–40 · Etching and drypoint
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Wilton album, folio 17f: A woman carrying a basket, a nude child to the left beside her holding an open book on his head
Andrea Schiavone (Andrea Meldola) (d. 1563)
1540–45 · Etching and drypoint
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Wilton album, folio 69: The entombment of Christ, who is laying on the tomb facing left, the Virgin Mary at left along with other female saints, the crown of thorns below at left
Parmigianino (Girolamo Francesco Maria Mazzola) (d. 1540)
ca. 1503–40 · Etching
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Wilton album, folio 50b: An Allegory of Painting; a winged female figure, left, painting a tablet, helped by a putto
Bartolomeo Passerotti (d. 1592)
1550–60 · Etching
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Wilton album, folio 69: Allegory of learning, a woman seated at left with a compass in her left hand and a tablet in her right hand, a putto holding a feather at right
Guido Reni (d. 1642)
ca. 1600–42 · Etching
In copyright
live1. Pin the work
Choose the record and say what you are actually going to do with it. The product re-reads the work live and stores a snapshot, so your docket records what the institution said today.
2. Read the arithmetic
Six weighted factors: the institution's own claim, the creator's term, the publication-age rule, the restrictions in their statement, your use, and whether a credit line is even possible.
3. Seal and export
Record the decision into a SHA-384 chain, then export a dated docket as JSON, CSV or Markdown with the credit line and the seal a colleague can re-verify.