The Return of the Prodigal Son
Georges Reverdy (d. 1600)
1557 · Engraving
Cleared · Public Domain
liveThe MetSimilar
Rights clearance desk for images
A painting can be out of copyright and thephotograph of it can still be protected.
Museums publish two different things about the same artwork: whether the work is in copyright, and whether their picture of it is. OpenPlate reads both, does the arithmetic on the published term, and shows you the sentence behind every point of the score.
Where this page got its records
- The Metlive
1018 ms. The Metropolitan Museum of Art, Collection API (Open Access)
- Clevelandlive
285 ms. The Cleveland Museum of Art, Open Access API
2 of 2 providers answered live. 13 matching records exist across the two collections.
Results for "Wilton album, folio 76: the prodigal son"12 records
Institutions answered newest-first by record, interleaved
The Return of the Prodigal Son
Andrea Schiavone (Andrea Meldola) (d. 1563)
ca. 1536–40 · Etching
Cleared · Public Domain
liveThe MetSimilar
Chief Etchers and Best Italian (Wilton House Album)
Unrecorded maker
early 18th century binding
Cleared · Public Domain
liveThe MetSimilar
No open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Wilton album, folio 19c: The Return of the Prodigal Son; the father on the right kissing the kneeling son on the left
Andrea Schiavone (Andrea Meldola) (d. 1563)
1535–40 · Etching and drypoint
In copyright
liveThe MetSimilar
No open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Wilton album, folio 17h: A Woman Examining an Armillary Sphere
Master F. P. (d. 1600)
1527–50 · Etching
In copyright
liveThe MetSimilar
No open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Wilton album, folio 17j: A Woman facing left holding a large shield; possibly Bellona
Master F. P. (d. 1600)
1527–50 · Etching
In copyright
liveThe MetSimilar
No open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Wilton album, folio 30b: The Return of the Prodigal Son
Georges Reverdy (d. 1600)
1530–60 · Engraving
In copyright
liveThe MetSimilar
No open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Wilton album, folio 57b: The Virgin and Child Seated on a Cloud
Federico Barocci (d. 1612)
1580–81 · Etching and engraving
In copyright
liveThe MetSimilar
No open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Wilton album, folio 33b: The Virgin and Child under a Tree with Saint John the Baptist and a Lamb
Paolo Farinati (d. 1606)
ca. 1589 · Etching
In copyright
liveThe MetSimilar
No open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Wilton album, folio 76: Mary Magdalene repentant in the wilderness, looking up towards the left and pulling on her hair
Peter Paul Rubens (d. 1640)
ca. 1620–30 · Etching
In copyright
liveThe MetSimilar
No open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Wilton album, folio 76: Saint Francis of Assisi receiving the stigmata
Willem Pietersz Buytewech (d. 1624)
ca. 1620–30 · Etching
In copyright
liveThe MetSimilar
No open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Wilton album, folio 76: the prodigal son as a swineherd, seated beneath a tree at left, three pigs at right
Anonymous
ca. 1620–30 · Etching
In copyright
liveThe MetSimilar
1. Pin the work
Choose the record and say what you are actually going to do with it. The product re-reads the work live and stores a snapshot, so your docket records what the institution said today.
2. Read the arithmetic
Six weighted factors: the institution's own claim, the creator's term, the publication-age rule, the restrictions in their statement, your use, and whether a credit line is even possible.
3. Seal and export
Record the decision into a SHA-384 chain, then export a dated docket as JSON, CSV or Markdown with the credit line and the seal a colleague can re-verify.