Rights clearance desk for images
Museums publish two different things about the same artwork: whether the work is in copyright, and whether their picture of it is. OpenPlate reads both, does the arithmetic on the published term, and shows you the sentence behind every point of the score.
Where this page got its records
260 ms. The Metropolitan Museum of Art, Collection API (Open Access)
270 ms. The Cleveland Museum of Art, Open Access API
2 of 2 providers answered live. 229 matching records exist across the two collections.
Institutions answered newest-first by record, interleaved
No open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Wilton album, folio 18h: The Annunciation
Parmigianino (Girolamo Francesco Maria Mazzola) (d. 1540)
1524–27 · Etching
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Wilton album, folio 31: The Marriage of the Virgin
Giovanni Jacopo Caraglio (d. 1565)
1524–27 · Engraving
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Wilton album, folio 7e:The Adoration of the Shepherds
Parmigianino (Girolamo Francesco Maria Mazzola) (d. 1540)
1524–27 · Etching
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Wilton album, folio 17c: The Adoration of the Magi
Andrea Schiavone (Andrea Meldola) (d. 1563)
1540–50 · Etching and drypoint
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Wilton album, folio 19a: The Circumcision
Andrea Schiavone (Andrea Meldola) (d. 1563)
1540–50 · Etching and drypoint
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Wilton album, folio 8a: The Adoration of the Child with Saints Anne, John the Evangelist, and Catherine
Andrea Schiavone (Andrea Meldola) (d. 1563)
1550–55 · Etching and drypoint
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Wilton album, folio 53b: The Marriage of the Virgin
Ventura Salimbeni (d. 1613)
1590 · Etching and engraving
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Wilton album, folio 53c: The Glory of the Virgin
Ventura Salimbeni (d. 1613)
1590 · Etching and engraving
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Wilton album, folio 46: Susanna and the Elders
Annibale Carracci (d. 1609)
1590–91 · Etching and engraving
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Wilton album, folio 52b: The Annunciation
Ventura Salimbeni (d. 1613)
1594 · Etching with engraving
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Wilton album, folio 44e: The Adoration of the Shepherds
Annibale Carracci (d. 1609)
1604–6 · Etching and engraving
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Wilton album, folio 58a: The Madonna of the Rosary
Giulio Carpioni (d. 1678)
1640–55 · Etching
In copyright
live1. Pin the work
Choose the record and say what you are actually going to do with it. The product re-reads the work live and stores a snapshot, so your docket records what the institution said today.
2. Read the arithmetic
Six weighted factors: the institution's own claim, the creator's term, the publication-age rule, the restrictions in their statement, your use, and whether a credit line is even possible.
3. Seal and export
Record the decision into a SHA-384 chain, then export a dated docket as JSON, CSV or Markdown with the credit line and the seal a colleague can re-verify.