
Bernardo Soranzo
Andrea Spinelli (d. 1572)
1540 · Bronze
Cleared · Public Domain
liveRights clearance desk for images
Museums publish two different things about the same artwork: whether the work is in copyright, and whether their picture of it is. OpenPlate reads both, does the arithmetic on the published term, and shows you the sentence behind every point of the score.
Where this page got its records
1012 ms. The Metropolitan Museum of Art, Collection API (Open Access)
317 ms. The Cleveland Museum of Art, Open Access API
2 of 2 providers answered live. 208 matching records exist across the two collections.
Institutions answered newest-first by record, interleaved

Bernardo Soranzo
Andrea Spinelli (d. 1572)
1540 · Bronze
Cleared · Public Domain
live
Madonna and Child
Parmigianino (Girolamo Francesco Maria Mazzola) (d. 1540)
ca. 1524–27 · Etching and engraving
Cleared · Public Domain
live
Plate 21: Female personifications of Sorrow and Pain at right punishing Psyche at the behest of Venus, who sits at right, from "The Story of Cupid and Psyche as told by Apuleius"
Master of the Die (d. 1560)
1530–60 · Engraving
Cleared · Public Domain
live
Pembroke Table
Unrecorded maker
1765–90 · Mahogany, oak, white pine, tulip poplar
Cleared · Public Domain
live
View Near Jessup's Landing (No. 3 of The Hudson River Portfolio)
John Rubens Smith (d. 1849)
1821–22 · Aquatint printed in color with hand-coloring; second state of two (Koke)
Cleared · Public Domain
live
The Fable of the Miller, His Son and the Donkey No. 3
Elihu Vedder (d. 1923)
1860–61 · Graphite on paper
Cleared · Public Domain
live
Three Views, No. 3: Mount Carmel, near New Haven, Connecticut
John William Hill (d. 1879)
1879 · Watercolor on off-white wove paper
Cleared · Public Domain
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
English Country Seats
Johannes Kip (d. 1722)
1712–24 · Engraving
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Clouds Heavy with Rain above Flyvesandsbakkerne and Lake Arresø
Johan Thomas Lundbye (d. 1848)
1838 · Oil on paper, laid down on cardboard
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Windhill Hill, No 2
Sir Francis Seymour Haden (d. 1910)
1877 · Drypoint; first state of two (Harrington); third state of five (Schneiderman)
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Windhill Hill, No. 3
Sir Francis Seymour Haden (d. 1910)
1877 · Drypoint; first (final) state (Harrington); fourth state of five (Schneiderman)
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
"Home from the hill" from Tales of the Vikings by Ad-Trix Corp. (W500)
Unrecorded maker
1960 · Commercial photolithograph
In copyright
live1. Pin the work
Choose the record and say what you are actually going to do with it. The product re-reads the work live and stores a snapshot, so your docket records what the institution said today.
2. Read the arithmetic
Six weighted factors: the institution's own claim, the creator's term, the publication-age rule, the restrictions in their statement, your use, and whether a credit line is even possible.
3. Seal and export
Record the decision into a SHA-384 chain, then export a dated docket as JSON, CSV or Markdown with the credit line and the seal a colleague can re-verify.