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OpenPlate

Rights clearance desk for images

A painting can be out of copyright and thephotograph of it can still be protected.

Museums publish two different things about the same artwork: whether the work is in copyright, and whether their picture of it is. OpenPlate reads both, does the arithmetic on the published term, and shows you the sentence behind every point of the score.

Where this page got its records

  • The Metlive

    1012 ms. The Metropolitan Museum of Art, Collection API (Open Access)

  • Clevelandlive

    317 ms. The Cleveland Museum of Art, Open Access API

Your defaults

United States, editorial use, 10,000 reach.

Change on the terms page

2 of 2 providers answered live. 208 matching records exist across the two collections.

Results for "Windhill Hill, No. 3"12 records

Institutions answered newest-first by record, interleaved

Bernardo Soranzo by Andrea Spinelli, The Metropolitan Museum of Art

Bernardo Soranzo

Andrea Spinelli (d. 1572)

1540 · Bronze

Cleared · Public Domain

live
The MetSimilar
Madonna and Child by Parmigianino (Girolamo Francesco Maria Mazzola), The Metropolitan Museum of Art

Madonna and Child

Parmigianino (Girolamo Francesco Maria Mazzola) (d. 1540)

ca. 1524–27 · Etching and engraving

Cleared · Public Domain

live
The MetSimilar
Plate 21: Female personifications of Sorrow and Pain at right punishing Psyche at the behest of Venus, who sits at right, from "The Story of Cupid and Psyche as told by Apuleius" by Master of the Die, The Metropolitan Museum of Art

Plate 21: Female personifications of Sorrow and Pain at right punishing Psyche at the behest of Venus, who sits at right, from "The Story of Cupid and Psyche as told by Apuleius"

Master of the Die (d. 1560)

1530–60 · Engraving

Cleared · Public Domain

live
The MetSimilar
Pembroke Table by an unrecorded maker, The Metropolitan Museum of Art

Pembroke Table

Unrecorded maker

1765–90 · Mahogany, oak, white pine, tulip poplar

Cleared · Public Domain

live
The MetSimilar
View Near Jessup's Landing (No. 3 of The Hudson River Portfolio) by John Rubens Smith, The Metropolitan Museum of Art

View Near Jessup's Landing (No. 3 of The Hudson River Portfolio)

John Rubens Smith (d. 1849)

1821–22 · Aquatint printed in color with hand-coloring; second state of two (Koke)

Cleared · Public Domain

live
The MetSimilar
The Fable of the Miller, His Son and the Donkey  No. 3 by Elihu Vedder, The Metropolitan Museum of Art

The Fable of the Miller, His Son and the Donkey No. 3

Elihu Vedder (d. 1923)

1860–61 · Graphite on paper

Cleared · Public Domain

live
The MetSimilar
Three Views, No. 3: Mount Carmel, near New Haven, Connecticut by John William Hill, The Metropolitan Museum of Art

Three Views, No. 3: Mount Carmel, near New Haven, Connecticut

John William Hill (d. 1879)

1879 · Watercolor on off-white wove paper

Cleared · Public Domain

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

English Country Seats

Johannes Kip (d. 1722)

1712–24 · Engraving

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Clouds Heavy with Rain above Flyvesandsbakkerne and Lake Arresø

Johan Thomas Lundbye (d. 1848)

1838 · Oil on paper, laid down on cardboard

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Windhill Hill, No 2

Sir Francis Seymour Haden (d. 1910)

1877 · Drypoint; first state of two (Harrington); third state of five (Schneiderman)

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Windhill Hill, No. 3

Sir Francis Seymour Haden (d. 1910)

1877 · Drypoint; first (final) state (Harrington); fourth state of five (Schneiderman)

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

"Home from the hill" from Tales of the Vikings by Ad-Trix Corp. (W500)

Unrecorded maker

1960 · Commercial photolithograph

In copyright

live
The MetSimilar

1. Pin the work

Choose the record and say what you are actually going to do with it. The product re-reads the work live and stores a snapshot, so your docket records what the institution said today.

2. Read the arithmetic

Six weighted factors: the institution's own claim, the creator's term, the publication-age rule, the restrictions in their statement, your use, and whether a credit line is even possible.

3. Seal and export

Record the decision into a SHA-384 chain, then export a dated docket as JSON, CSV or Markdown with the credit line and the seal a colleague can re-verify.