
Choir and stalls in St George's Chapel, Windsor
Wenceslaus Hollar (d. 1677)
1660 · Etching, only state
Cleared · Public Domain
liveRights clearance desk for images
Museums publish two different things about the same artwork: whether the work is in copyright, and whether their picture of it is. OpenPlate reads both, does the arithmetic on the published term, and shows you the sentence behind every point of the score.
Where this page got its records
127 ms. The Metropolitan Museum of Art, Collection API (Open Access)
480 ms. The Cleveland Museum of Art, Open Access API
2 of 2 providers answered live. 19 matching records exist across the two collections.
Institutions answered newest-first by record, interleaved

Choir and stalls in St George's Chapel, Windsor
Wenceslaus Hollar (d. 1677)
1660 · Etching, only state
Cleared · Public Domain
live
Bray's Chapel in St. George's Chapel, Windsor (from Elias Ashmole's "The Institution, Laws & Ceremonies of the most Noble Order of the Garter," London 1672)
Wenceslaus Hollar (d. 1677)
1663 · Etching; first state of two
Cleared · Public Domain
live
St. George's Chapel Choir, Windsor (from Elias Ashmole's "The Order of the Garter," 1672)
Wenceslaus Hollar (d. 1677)
1663 · Etching; first state of two
Cleared · Public Domain
live
Windsor Castle, St. George's Chapel: Prospect of the Choir, from the West (from Elias Ashmole's "The Order of the Garter," 1672)
Wenceslaus Hollar (d. 1677)
1663 · Etching; first state of two
Cleared · Public Domain
live
Details of Door Furniture, St. George's Chapel, Windsor and other Ornament
Anonymous, British, 19th century (d. 1900)
second half 19th century · Graphite and pen and ink
Cleared · Public Domain
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Choir and stalls in St. George's Chapel, Windsor
Wenceslaus Hollar (d. 1677)
1663 · Etching; first state of two
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Three prospects of Windsor Castle (from Elias Ashmole's "The Institution, Laws & Ceremonies of the most Noble Order of the Garter," London, 1672)
Wenceslaus Hollar (d. 1677)
1672 · Etching; third state of three (NH)
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
His Most Gracious Majesty George the IVth
Edward Scriven (d. 1841)
May 9, 1825 · Etching and aquatint
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Le Roi Visite la Chapelle St. Georges (Monument de la Princesse Charlotte) / (The King's Visit to the Monument of Princess Charlotte in St. George's Chapel)
Edouard Pingret (d. 1875)
1846 · Lithograph with tint stone
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Voyage de Sa Majésté Louis-Philippe 1er, Roi des Français au Château de Windsor (Visit of His Majesty Louis Philippe I, King of the French to Windsor Castle)
Edouard Pingret (d. 1875)
1846 · Illustrations: lithographs with tint stones: one on chine collé, one in color
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Views of the Interior and Exterior of Windsor Castle
Joseph Nash (d. 1878)
1852 · Illustrations: lithographs with tint stones
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Marriage of Edward, Prince of Wales, and Princess Alexandra of Denmark, March 1863
William Henry Simmons (d. 1882)
1870 · Etching, engraving and stipple on chine collé; before published state
In copyright
live1. Pin the work
Choose the record and say what you are actually going to do with it. The product re-reads the work live and stores a snapshot, so your docket records what the institution said today.
2. Read the arithmetic
Six weighted factors: the institution's own claim, the creator's term, the publication-age rule, the restrictions in their statement, your use, and whether a credit line is even possible.
3. Seal and export
Record the decision into a SHA-384 chain, then export a dated docket as JSON, CSV or Markdown with the credit line and the seal a colleague can re-verify.