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OpenPlate

Rights clearance desk for images

A painting can be out of copyright and thephotograph of it can still be protected.

Museums publish two different things about the same artwork: whether the work is in copyright, and whether their picture of it is. OpenPlate reads both, does the arithmetic on the published term, and shows you the sentence behind every point of the score.

Where this page got its records

  • The Metlive

    265 ms. The Metropolitan Museum of Art, Collection API (Open Access)

  • Clevelandlive

    302 ms. The Cleveland Museum of Art, Open Access API

Your defaults

United States, editorial use, 10,000 reach.

Change on the terms page

2 of 2 providers answered live. 14 matching records exist across the two collections.

Results for "Windsor Table"11 records

Institutions answered newest-first by record, interleaved

Study for a Seated Prelate (Saint Gregory the Great) by Carlo Maratti, The Metropolitan Museum of Art

Study for a Seated Prelate (Saint Gregory the Great)

Carlo Maratti (d. 1713)

1685–86 · Black chalk, highlighted with white chalk, on blue-gray paper

Cleared · Public Domain

live
The MetSimilar
Le Général Washington by Noël Le Mire, The Metropolitan Museum of Art

Le Général Washington

Noël Le Mire (d. 1801)

1780 · Etching and engraving

Cleared · Public Domain

live
The MetSimilar
Windsor Table by an unrecorded maker, The Metropolitan Museum of Art

Windsor Table

Unrecorded maker

1725–90 · Tulip poplar, maple, ash

Cleared · Public Domain

live
The MetSimilar
Bergami Pears–or–Choice Fruit !! by Anonymous, British, 19th century, The Metropolitan Museum of Art

Bergami Pears–or–Choice Fruit !!

Anonymous, British, 19th century (d. 1900)

October 1820 · Hand-colored etching

Cleared · Public Domain

live
The MetSimilar
Florizel and Perdita in 'The Winter's Tale,' from "The Art Journal," opposite p. 4 by Lumb Stocks, The Metropolitan Museum of Art

Florizel and Perdita in 'The Winter's Tale,' from "The Art Journal," opposite p. 4

Lumb Stocks (d. 1892)

January 1867 · Etching and engraving

Cleared · Public Domain

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Voyage de Sa Majésté Louis-Philippe 1er, Roi des Français au Château de Windsor (Visit of His Majesty Louis Philippe I, King of the French to Windsor Castle)

Edouard Pingret (d. 1875)

1846 · Illustrations: lithographs with tint stones: one on chine collé, one in color

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Her Majesty Queen Victoria, supplement to "The Pictorial Times"

Alfred Edward Chalon (d. 1860)

1843–48 · Wood engraving

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Views of the Interior and Exterior of Windsor Castle

Joseph Nash (d. 1878)

1852 · Illustrations: lithographs with tint stones

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Album containing prints clipped from American and British periodicals

Illman and Sons (d. 1900)

1815–60 · Hand-colored etching, engraving, lithograph, mezzotint

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Chairs

Horace Pippin (d. 1946)

1946 · Oil on canvas

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Americans in Paris

Al Hirschfeld (d. 2003)

1951 · Pen and black ink over graphite

In copyright

live
The MetSimilar

1. Pin the work

Choose the record and say what you are actually going to do with it. The product re-reads the work live and stores a snapshot, so your docket records what the institution said today.

2. Read the arithmetic

Six weighted factors: the institution's own claim, the creator's term, the publication-age rule, the restrictions in their statement, your use, and whether a credit line is even possible.

3. Seal and export

Record the decision into a SHA-384 chain, then export a dated docket as JSON, CSV or Markdown with the credit line and the seal a colleague can re-verify.