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OpenPlate

Rights clearance desk for images

A painting can be out of copyright and thephotograph of it can still be protected.

Museums publish two different things about the same artwork: whether the work is in copyright, and whether their picture of it is. OpenPlate reads both, does the arithmetic on the published term, and shows you the sentence behind every point of the score.

Where this page got its records

  • The Metlive

    326 ms. The Metropolitan Museum of Art, Collection API (Open Access)

  • Clevelandlive

    2985 ms. The Cleveland Museum of Art, Open Access API

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United States, editorial use, 10,000 reach.

Change on the terms page

2 of 2 providers answered live. 2,716 matching records exist across the two collections.

Results for "Wing Column"12 records

Institutions answered newest-first by record, interleaved

Relief Fragment with Part of a Hieroglyph by an unrecorded maker, The Metropolitan Museum of Art

Relief Fragment with Part of a Hieroglyph

Unrecorded maker

ca. 1981–1975 B.C. · Limestone, paint

Cleared · Public Domain

live
The MetSimilar
Ogives with Winged Quadrupeds and Peacocks by an unrecorded maker, The Cleveland Museum of Art

Ogives with Winged Quadrupeds and Peacocks

Unrecorded maker

1517–1950 (radiocarbon date, 95% probability) · Textile, Silk: lampas weave

Cleared · CC0

live
Cleveland Museum of ArtSimilar
Cartonnage fragment inscribed for the Singer of Amun Shepenaset by an unrecorded maker, The Metropolitan Museum of Art

Cartonnage fragment inscribed for the Singer of Amun Shepenaset

Unrecorded maker

ca. 945–721 BCE · Wood, paste, paint

Cleared · Public Domain

live
The MetSimilar
Head of a Sphinx by an unrecorded maker, The Cleveland Museum of Art

Head of a Sphinx

Unrecorded maker

540–520 BCE · Sculpture, marble

Cleared · CC0

live
Cleveland Museum of ArtSimilar
Terracotta fragment of a column-krater (bowl for mixing wine and water) by an unrecorded maker, The Metropolitan Museum of Art

Terracotta fragment of a column-krater (bowl for mixing wine and water)

Unrecorded maker

460–440 BCE · Terracotta

Cleared · Public Domain

live
The MetSimilar
Grave Stele (Relief) by an unrecorded maker, The Cleveland Museum of Art

Grave Stele (Relief)

Unrecorded maker

c. 50 BCE · Sculpture, marble

Cleared · CC0

live
Cleveland Museum of ArtSimilar
Convivio delle Belle Donne, page 19 (verso) by Nicolò Zoppino, The Metropolitan Museum of Art

Convivio delle Belle Donne, page 19 (verso)

Nicolò Zoppino (d. 1544)

August 1532 · Woodcut

Cleared · Public Domain

live
The MetSimilar
Angel by an unrecorded maker, The Cleveland Museum of Art

Angel

Unrecorded maker

c. 1250 · Sculpture, walnut with traces of gilding and polychromy

Cleared · CC0

live
Cleveland Museum of ArtSimilar
Lucidario di Recami, page 10 (recto) by Iseppo Foresto, The Metropolitan Museum of Art

Lucidario di Recami, page 10 (recto)

Iseppo Foresto (d. 1580)

1564 · Woodcut

Cleared · Public Domain

live
The MetSimilar
Angel by an unrecorded maker, The Cleveland Museum of Art

Angel

Unrecorded maker

c. 1250 · Sculpture, walnut with traces of gilding and polychromy

Cleared · CC0

live
Cleveland Museum of ArtSimilar
Lucidario di Recami, page 16 (recto) by Iseppo Foresto, The Metropolitan Museum of Art

Lucidario di Recami, page 16 (recto)

Iseppo Foresto (d. 1580)

1564 · Woodcut

Cleared · Public Domain

live
The MetSimilar
Fragments with Eight-Pointed Star (Two Pieces) by an unrecorded maker, The Cleveland Museum of Art

Fragments with Eight-Pointed Star (Two Pieces)

Unrecorded maker

before 1966 · Textile, Silk: compound weave

Cleared · CC0

live
Cleveland Museum of ArtSimilar

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