Skip to content
OpenPlate

Rights clearance desk for images

A painting can be out of copyright and thephotograph of it can still be protected.

Museums publish two different things about the same artwork: whether the work is in copyright, and whether their picture of it is. OpenPlate reads both, does the arithmetic on the published term, and shows you the sentence behind every point of the score.

Where this page got its records

  • The Metlive

    554 ms. The Metropolitan Museum of Art, Collection API (Open Access)

  • Clevelandlive

    312 ms. The Cleveland Museum of Art, Open Access API

Your defaults

United States, editorial use, 10,000 reach.

Change on the terms page

2 of 2 providers answered live. 581 matching records exist across the two collections.

Results for "Woman Holding Plum Blossoms"12 records

Institutions answered newest-first by record, interleaved

Seated goddess holding flowers (Flora?) by an unrecorded maker, The Metropolitan Museum of Art

Seated goddess holding flowers (Flora?)

Unrecorded maker

1550–75 · Bronze

Cleared · Public Domain

live
The MetSimilar
Woman Holding Plum Blossoms by an unrecorded maker, The Cleveland Museum of Art

Woman Holding Plum Blossoms

Unrecorded maker

mid-700s · Sculpture, earthenware covered in white slip with traces of pigment

Cleared · CC0

live
Cleveland Museum of ArtSimilar
Courtesan from the Myōgaya House by Torii Kiyomasu I, The Metropolitan Museum of Art

Courtesan from the Myōgaya House

Torii Kiyomasu I (d. 1716)

ca. 1712 · Woodblock print (tan-e); ink and color on paper

Cleared · Public Domain

live
The MetSimilar
Blowing Soap Bubbles Under the Plum Blossom by Suzuki Harunobu, The Metropolitan Museum of Art

Blowing Soap Bubbles Under the Plum Blossom

Suzuki Harunobu (d. 1770)

1770 · Woodblock print; ink and color on paper

Cleared · Public Domain

live
The MetSimilar
Woman Admiring Plum Blossoms at Night by Suzuki Harunobu 鈴木春信, The Metropolitan Museum of Art

Woman Admiring Plum Blossoms at Night

Suzuki Harunobu 鈴木春信 (d. 1770)

ca. 1766 · Woodblock print (nishiki-e) with embossing (karazuri); ink and color on paper

Cleared · Public Domain

live
The MetSimilar
Plucking a Branch from a Neighbor's Plum Tree by Suzuki Harunobu, The Metropolitan Museum of Art

Plucking a Branch from a Neighbor's Plum Tree

Suzuki Harunobu (d. 1770)

ca. 1768 · Woodblock print; ink and color on paper

Cleared · Public Domain

live
The MetSimilar
Courtier and Lady with a Young Woman Poling a Boat by Kubo Shunman, The Metropolitan Museum of Art

Courtier and Lady with a Young Woman Poling a Boat

Kubo Shunman (d. 1820)

1796 · Woodblock print (surimono); ink and color on paper

Cleared · Public Domain

live
The MetSimilar
Woman's Ceremonial Robe by an unrecorded maker, The Metropolitan Museum of Art

Woman's Ceremonial Robe

Unrecorded maker

18th or early 19th century · Silk

Cleared · Public Domain

live
The MetSimilar
An Actor's Image in a Sake Cup by Utagawa Toyoshige, The Metropolitan Museum of Art

An Actor's Image in a Sake Cup

Utagawa Toyoshige (d. 1835)

ca. 1825 · Woodblock print; ink and color on paper

Cleared · Public Domain

live
The MetSimilar
Case (Inrō) with Design of Young Woman with Flower Basket of Plum Blossoms (obverse); Four Large Characters (reverse) by Kafu Mochikaze, The Metropolitan Museum of Art

Case (Inrō) with Design of Young Woman with Flower Basket of Plum Blossoms (obverse); Four Large Characters (reverse)

Kafu Mochikaze

19th century · Roiro lacquer with gold and colored sprinkled and polished makie, mother-of-pearl inlay; Interior: roiro, hirame & fundame; Netsuke: box with No dancer, Ojime: Bodhidharma

Cleared · Public Domain

live
The MetSimilar
Stencil by an unrecorded maker, The Metropolitan Museum of Art

Stencil

Unrecorded maker

19th century · Paper, silk

Cleared · Public Domain

live
The MetSimilar
Sword Guard (<i>Tsuba</i>) Depicting Bamboo Vase for <i>Ikebana</i> and Plum Branch by an unrecorded maker, The Metropolitan Museum of Art

Sword Guard (<i>Tsuba</i>) Depicting Bamboo Vase for <i>Ikebana</i> and Plum Branch

Unrecorded maker

ca. 1615–1868 · Iron

Cleared · Public Domain

live
The MetSimilar

1. Pin the work

Choose the record and say what you are actually going to do with it. The product re-reads the work live and stores a snapshot, so your docket records what the institution said today.

2. Read the arithmetic

Six weighted factors: the institution's own claim, the creator's term, the publication-age rule, the restrictions in their statement, your use, and whether a credit line is even possible.

3. Seal and export

Record the decision into a SHA-384 chain, then export a dated docket as JSON, CSV or Markdown with the credit line and the seal a colleague can re-verify.