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OpenPlate

Rights clearance desk for images

A painting can be out of copyright and thephotograph of it can still be protected.

Museums publish two different things about the same artwork: whether the work is in copyright, and whether their picture of it is. OpenPlate reads both, does the arithmetic on the published term, and shows you the sentence behind every point of the score.

Where this page got its records

  • The Metlive

    334 ms. The Metropolitan Museum of Art, Collection API (Open Access)

  • Clevelandlive

    450 ms. The Cleveland Museum of Art, Open Access API

Your defaults

United States, editorial use, 10,000 reach.

Change on the terms page

2 of 2 providers answered live. 959 matching records exist across the two collections.

Results for "Woman Leaning on a Plinth, from the seri"12 records

Institutions answered newest-first by record, interleaved

Limestone funerary monument of a woman by an unrecorded maker, The Metropolitan Museum of Art

Limestone funerary monument of a woman

Unrecorded maker

1st century CE · Limestone

Cleared · Public Domain

live
The MetSimilar
"The Ascetic Witnesses the Woman Trying to Poison the Lover", Folio from a Kalila wa Dimna by an unrecorded maker, The Metropolitan Museum of Art

"The Ascetic Witnesses the Woman Trying to Poison the Lover", Folio from a Kalila wa Dimna

Unrecorded maker

second quarter 16th century · Ink and opaque watercolor on paper

Cleared · Public Domain

live
The MetSimilar
Cat; Seated Woman Leaning on a Table or Ledge (from Sketchbook) by Francis William Edmonds, The Metropolitan Museum of Art

Cat; Seated Woman Leaning on a Table or Ledge (from Sketchbook)

Francis William Edmonds (d. 1863)

ca. 1838 and after · Graphite on off-white wove paper

Cleared · Public Domain

live
The MetSimilar
Woman Leaning Right (from Sketchbook) by Francis William Edmonds, The Metropolitan Museum of Art

Woman Leaning Right (from Sketchbook)

Francis William Edmonds (d. 1863)

ca. 1838 and after · Graphite on off-white wove paper

Cleared · Public Domain

live
The MetSimilar
From the Girls and Children series (N58) promoting Our Little Beauties Cigarettes for Allen & Ginter brand tobacco products by Allen & Ginter, The Metropolitan Museum of Art

From the Girls and Children series (N58) promoting Our Little Beauties Cigarettes for Allen & Ginter brand tobacco products

Allen & Ginter

1887 · Commercial color lithograph

Cleared · Public Domain

live
The MetSimilar
From the Girls and Children series (N58) promoting Our Little Beauties Cigarettes for Allen & Ginter brand tobacco products by Allen & Ginter, The Metropolitan Museum of Art

From the Girls and Children series (N58) promoting Our Little Beauties Cigarettes for Allen & Ginter brand tobacco products

Allen & Ginter

1887 · Commercial color lithograph

Cleared · Public Domain

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

A nude woman leaning on a stone, from the series of 'Figurine'

Salvator Rosa (d. 1673)

ca. 1656–1657 · Etching and drypoint

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Woman Leaning on a Plinth (reverse copy), from the series Figures a la Mode

Romeyn de Hooghe (d. 1708)

ca. 1700 · Etching

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Woman Leaning on a Plinth, from the series Figures a la Mode

Romeyn de Hooghe (d. 1708)

ca. 1700 · Etching

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Fountains, Plate 1

Charles Hutin (d. 1776)

1764 · Etching

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Fountains, Plate 5

Charles Hutin (d. 1776)

1764 · Etching

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Tombs, Plate 2

Charles Hutin (d. 1776)

1764 · Etching

In copyright

live
The MetSimilar

1. Pin the work

Choose the record and say what you are actually going to do with it. The product re-reads the work live and stores a snapshot, so your docket records what the institution said today.

2. Read the arithmetic

Six weighted factors: the institution's own claim, the creator's term, the publication-age rule, the restrictions in their statement, your use, and whether a credit line is even possible.

3. Seal and export

Record the decision into a SHA-384 chain, then export a dated docket as JSON, CSV or Markdown with the credit line and the seal a colleague can re-verify.