
Limestone funerary monument of a woman
Unrecorded maker
1st century CE · Limestone
Cleared · Public Domain
liveRights clearance desk for images
Museums publish two different things about the same artwork: whether the work is in copyright, and whether their picture of it is. OpenPlate reads both, does the arithmetic on the published term, and shows you the sentence behind every point of the score.
Where this page got its records
334 ms. The Metropolitan Museum of Art, Collection API (Open Access)
450 ms. The Cleveland Museum of Art, Open Access API
2 of 2 providers answered live. 959 matching records exist across the two collections.
Institutions answered newest-first by record, interleaved

Limestone funerary monument of a woman
Unrecorded maker
1st century CE · Limestone
Cleared · Public Domain
live
"The Ascetic Witnesses the Woman Trying to Poison the Lover", Folio from a Kalila wa Dimna
Unrecorded maker
second quarter 16th century · Ink and opaque watercolor on paper
Cleared · Public Domain
live
Cat; Seated Woman Leaning on a Table or Ledge (from Sketchbook)
Francis William Edmonds (d. 1863)
ca. 1838 and after · Graphite on off-white wove paper
Cleared · Public Domain
live
Woman Leaning Right (from Sketchbook)
Francis William Edmonds (d. 1863)
ca. 1838 and after · Graphite on off-white wove paper
Cleared · Public Domain
live
From the Girls and Children series (N58) promoting Our Little Beauties Cigarettes for Allen & Ginter brand tobacco products
Allen & Ginter
1887 · Commercial color lithograph
Cleared · Public Domain
live
From the Girls and Children series (N58) promoting Our Little Beauties Cigarettes for Allen & Ginter brand tobacco products
Allen & Ginter
1887 · Commercial color lithograph
Cleared · Public Domain
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
A nude woman leaning on a stone, from the series of 'Figurine'
Salvator Rosa (d. 1673)
ca. 1656–1657 · Etching and drypoint
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Woman Leaning on a Plinth (reverse copy), from the series Figures a la Mode
Romeyn de Hooghe (d. 1708)
ca. 1700 · Etching
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Woman Leaning on a Plinth, from the series Figures a la Mode
Romeyn de Hooghe (d. 1708)
ca. 1700 · Etching
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Fountains, Plate 1
Charles Hutin (d. 1776)
1764 · Etching
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Fountains, Plate 5
Charles Hutin (d. 1776)
1764 · Etching
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Tombs, Plate 2
Charles Hutin (d. 1776)
1764 · Etching
In copyright
live1. Pin the work
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2. Read the arithmetic
Six weighted factors: the institution's own claim, the creator's term, the publication-age rule, the restrictions in their statement, your use, and whether a credit line is even possible.
3. Seal and export
Record the decision into a SHA-384 chain, then export a dated docket as JSON, CSV or Markdown with the credit line and the seal a colleague can re-verify.