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OpenPlate

Rights clearance desk for images

A painting can be out of copyright and thephotograph of it can still be protected.

Museums publish two different things about the same artwork: whether the work is in copyright, and whether their picture of it is. OpenPlate reads both, does the arithmetic on the published term, and shows you the sentence behind every point of the score.

Where this page got its records

  • The Metlive

    580 ms. The Metropolitan Museum of Art, Collection API (Open Access)

  • Clevelandlive

    420 ms. The Cleveland Museum of Art, Open Access API

Your defaults

United States, editorial use, 10,000 reach.

Change on the terms page

2 of 2 providers answered live. 216 matching records exist across the two collections.

Results for "Woman Seated in an Armchair Wiping Her N"12 records

Institutions answered newest-first by record, interleaved

Terracotta fragments of a kylix (drinking cup) by an unrecorded maker, The Metropolitan Museum of Art

Terracotta fragments of a kylix (drinking cup)

Unrecorded maker

460–450 BCE · Terracotta

Cleared · Public Domain

live
The MetSimilar
Hip-joint armchair (sillón de cadera or jamuga) by an unrecorded maker, The Metropolitan Museum of Art

Hip-joint armchair (sillón de cadera or jamuga)

Unrecorded maker

ca. 1480–1500 · Walnut and elm, partly veneered and inlaid with different woods, ivory, bone (camel?) and pewter; covered in silk velvet not original to the armchair

Cleared · Public Domain

live
The MetSimilar
Kitchen Scene by Kitagawa Utamaro, The Metropolitan Museum of Art

Kitchen Scene

Kitagawa Utamaro (d. 1806)

ca. 1794–95 · Diptych of woodblock prints (nishiki-e); ink and color on paper

Cleared · Public Domain

live
The MetSimilar
The Hopes of the Family, or Miss Marrowfat at Home for the Holidays by Thomas Rowlandson, The Metropolitan Museum of Art

The Hopes of the Family, or Miss Marrowfat at Home for the Holidays

Thomas Rowlandson (d. 1827)

August 10, 1809 · Hand-colored etching

Cleared · Public Domain

live
The MetSimilar
The Hopes of the Family, or Miss Marrowfat at Home for the Holidays by Thomas Rowlandson, The Metropolitan Museum of Art

The Hopes of the Family, or Miss Marrowfat at Home for the Holidays

Thomas Rowlandson (d. 1827)

1809–13 · Hand-colored etching

Cleared · Public Domain

live
The MetSimilar
Macassar Oil, An Oily Puff for Soft Heads by Thomas Rowlandson, The Metropolitan Museum of Art

Macassar Oil, An Oily Puff for Soft Heads

Thomas Rowlandson (d. 1827)

March 15, 1814 · Hand-colored etching

Cleared · Public Domain

live
The MetSimilar
Two illustrations for "The Economy of Human Life" by Frank Howard, The Metropolitan Museum of Art

Two illustrations for "The Economy of Human Life"

Frank Howard (d. 1866)

1834 · Engraving on chine collé, proof

Cleared · Public Domain

live
The MetSimilar
Woman Seated in an Armchair Wiping Her Neck by Edgar Degas, The Metropolitan Museum of Art

Woman Seated in an Armchair Wiping Her Neck

Edgar Degas (d. 1917)

modeled probably before 1902, cast 1920 · Bronze

Cleared · Public Domain

live
The MetSimilar
Woman Seated in Armchair Wiping Her Left Armpit by Edgar Degas, The Metropolitan Museum of Art

Woman Seated in Armchair Wiping Her Left Armpit

Edgar Degas (d. 1917)

modeled probably ca. 1895, cast 1920 · Bronze

Cleared · Public Domain

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Setting out for Margate

Thomas Rowlandson (d. 1827)

August 29, 1812 · Hand-colored etching

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Setting out for Margate

Thomas Rowlandson (d. 1827)

August 29, 1812 · Hand-colored etching

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Woman in a Chemise in an Armchair

Pablo Picasso (d. 1973)

Paris, late 1913–early 1914 · Oil on canvas

In copyright

live
The MetSimilar

1. Pin the work

Choose the record and say what you are actually going to do with it. The product re-reads the work live and stores a snapshot, so your docket records what the institution said today.

2. Read the arithmetic

Six weighted factors: the institution's own claim, the creator's term, the publication-age rule, the restrictions in their statement, your use, and whether a credit line is even possible.

3. Seal and export

Record the decision into a SHA-384 chain, then export a dated docket as JSON, CSV or Markdown with the credit line and the seal a colleague can re-verify.