
Statuette of a Nude Woman
Unrecorded maker
ca. 1550–1080 BCE · Limestone, black pigment
Cleared · Public Domain
liveRights clearance desk for images
Museums publish two different things about the same artwork: whether the work is in copyright, and whether their picture of it is. OpenPlate reads both, does the arithmetic on the published term, and shows you the sentence behind every point of the score.
Where this page got its records
1398 ms. The Metropolitan Museum of Art, Collection API (Open Access)
494 ms. The Cleveland Museum of Art, Open Access API
2 of 2 providers answered live. 4,591 matching records exist across the two collections.
Institutions answered newest-first by record, interleaved

Statuette of a Nude Woman
Unrecorded maker
ca. 1550–1080 BCE · Limestone, black pigment
Cleared · Public Domain
live
Studies for a Nude Woman Seen from the Front (recto); Four Standing Male Nudes, Venus, and Cupid (verso)
Anonymous, Italian, Florentine, 16th century (d. 1600)
16th century · Pen and brown ink
Cleared · Public Domain
live
Woman Playing the Violin, Seen from the Back
Louis de Carmontelle (d. 1806)
ca. 1758–59 · Red and black chalk, graphite, gouache and watercolor
Cleared · Public Domain
live
Seated Female Nude Seen from the Back
Samuel Amsler (d. 1849)
1819 · Graphite
Cleared · Public Domain
live
A Standing Woman Seen from the Back
Anonymous, Peruvian, 19th century (d. 1900)
1840–50 · brush and ink and watercolor on wove paper
Cleared · Public Domain
live
A Standing Woman, Seen from the Back
Anonymous, Peruvian, 19th century (d. 1900)
1840–50 · brush and ink and watercolor on wove paper
Cleared · Public Domain
live![[Woman Seen from the Back] by Onésipe Aguado de las Marismas, The Metropolitan Museum of Art](https://images.metmuseum.org/CRDImages/ph/web-large/DP150940.jpg)
[Woman Seen from the Back]
Onésipe Aguado de las Marismas (d. 1893)
ca. 1862 · Salted paper print from glass negative
Cleared · Public Domain
live![[Man, Seen from the Back, Conversing with Two Woman] by Unknown, The Metropolitan Museum of Art](https://images.metmuseum.org/CRDImages/ph/web-large/DP71134.jpg)
[Man, Seen from the Back, Conversing with Two Woman]
Unknown
1860s · Albumen silver print
Cleared · Public Domain
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
[Standing Woman Seen from the Back]
J. Loeffler
1850s
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Woman Standing, Seen from the Back, Nude
Jacques Villon (d. 1963)
1910 · Etching
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Standing Nude Seen from the Back
Aristide Maillol (d. 1944)
ca. 1920 · Red chalk on Montral paper
In copyright
live1. Pin the work
Choose the record and say what you are actually going to do with it. The product re-reads the work live and stores a snapshot, so your docket records what the institution said today.
2. Read the arithmetic
Six weighted factors: the institution's own claim, the creator's term, the publication-age rule, the restrictions in their statement, your use, and whether a credit line is even possible.
3. Seal and export
Record the decision into a SHA-384 chain, then export a dated docket as JSON, CSV or Markdown with the credit line and the seal a colleague can re-verify.