
Seated Faun
Andrea Briosco, called Riccio (d. 1532)
ca. 1540–50 · Bronze
Cleared · Public Domain
liveRights clearance desk for images
Museums publish two different things about the same artwork: whether the work is in copyright, and whether their picture of it is. OpenPlate reads both, does the arithmetic on the published term, and shows you the sentence behind every point of the score.
Where this page got its records
514 ms. The Metropolitan Museum of Art, Collection API (Open Access)
371 ms. The Cleveland Museum of Art, Open Access API
2 of 2 providers answered live. 9,309 matching records exist across the two collections.
Institutions answered newest-first by record, interleaved

Seated Faun
Andrea Briosco, called Riccio (d. 1532)
ca. 1540–50 · Bronze
Cleared · Public Domain
live
The Sleeping Faun
Harriet Goodhue Hosmer (d. 1908)
modeled 1864, carved c. 1870 · Sculpture, marble
Cleared · CC0
live
Heads of a faun and a reclining woman (Les têtes d'une jeune femme et d'un faune)
Jacques Louis David (d. 1825)
ca. 1792–96 · Pen and dark brown iron gall ink
Cleared · Public Domain
live
Bacchante and Infant Faun
Frederick William MacMonnies (d. 1937)
1894 · Sculpture, bronze
Cleared · CC0
live
Nymph and Faun Dancing
Louis-Oscar Roty (d. 1911)
1880 · Bronze, cast
Cleared · Public Domain
live
The Four Festivals: Festival of Bacchus
Claude Gillot (d. 1722)
c. 1693–1715 · Print, etching and engraving
Cleared · CC0
live
Sleeping Faun
Edward Clark Potter (d. 1923)
1887–89, cast 1919 · Bronze
Cleared · Public Domain
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Young Faun with Heron
Frederick William MacMonnies (d. 1937)
1889–90, cast ca. 1902 · Bronze
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Young Faun with Heron
Frederick William MacMonnies (d. 1937)
1889–90, cast 1890 · Bronze
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Bacchante and Infant Faun
Frederick William MacMonnies (d. 1937)
1893–94, cast 1894 · Bronze
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Faun and Nymph
Royal Copenhagen Porcelain Manufactory (d. 9999)
1909 · Glazed porcelain
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Woman and Faun
e. e. cummings (d. 1962)
ca. 1920 · Pen and black ink with graphite on paper
In copyright
live1. Pin the work
Choose the record and say what you are actually going to do with it. The product re-reads the work live and stores a snapshot, so your docket records what the institution said today.
2. Read the arithmetic
Six weighted factors: the institution's own claim, the creator's term, the publication-age rule, the restrictions in their statement, your use, and whether a credit line is even possible.
3. Seal and export
Record the decision into a SHA-384 chain, then export a dated docket as JSON, CSV or Markdown with the credit line and the seal a colleague can re-verify.