Woman with dark hair and a bow in profile to the left
Wenceslaus Hollar (d. 1677)
1642 · Etching; only state
Cleared · Public Domain
liveThe MetSimilar
Rights clearance desk for images
A painting can be out of copyright and thephotograph of it can still be protected.
Museums publish two different things about the same artwork: whether the work is in copyright, and whether their picture of it is. OpenPlate reads both, does the arithmetic on the published term, and shows you the sentence behind every point of the score.
Where this page got its records
- The Metlive
218 ms. The Metropolitan Museum of Art, Collection API (Open Access)
- Clevelandlive
341 ms. The Cleveland Museum of Art, Open Access API
2 of 2 providers answered live. 10,753 matching records exist across the two collections.
Results for "Woman in Profile, Turned to the Left"12 records
Institutions answered newest-first by record, interleaved
Woman in Profile, Turned to the Left
Henri-Pierre Danloux (d. 1809)
1784 · Drawing, Charcoal and black chalk with stumping on off-white laid paper, signed in brown ink
Cleared · CC0
liveCleveland Museum of ArtSimilar
Margaret Griggs (Woman in a fur bonnet, profile to the left)
Wenceslaus Hollar (d. 1677)
1648 · Etching
Cleared · Public Domain
liveThe MetSimilar
Woman with a Tambourine, in Neoclassical Costume
Unrecorded maker
mid to late 19th century · Portrait Miniature, watercolor on ivory in a gold frame with blue glazed reverse and reserve with plaited hair and initials in gold
Cleared · CC0
liveCleveland Museum of ArtSimilar
Bust of a deformed woman with curly hair in profile to the left
Wenceslaus Hollar (d. 1677)
1665 · Etching; only state
Cleared · Public Domain
liveThe MetSimilar
Symbolic Head
Odilon Redon (d. 1916)
c. 1890 · Painting, oil on paper mounted on canvas
Cleared · CC0
liveCleveland Museum of ArtSimilar
Standing Woman, Turned to the Left
Giovanni Battista Tiepolo (d. 1770)
ca. 1742–57 · Pen and brown ink, brown wash
Cleared · Public Domain
liveThe MetSimilar
Profile of Eva Gonzalès turned to the left
Edouard Manet (d. 1883)
ca. 1870 · Etching on blue laid paper, only state
Cleared · Public Domain
liveThe MetSimilar
No open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Young woman in profile to left with rosettes on dress
Wenceslaus Hollar (d. 1677)
1635 · Etching; second state of two
In copyright
liveThe MetSimilar
No open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Woman in left profile
Wenceslaus Hollar (d. 1677)
1642 · Etching: only state
In copyright
liveThe MetSimilar
No open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Woman with white cap, the edge turned back, and matching white collar, in profile to left.
Wenceslaus Hollar (d. 1677)
1647 · Etching; only state
In copyright
liveThe MetSimilar
No open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Margaret Griggs (Woman in a fur bonnet, profile to the left)
Wenceslaus Hollar (d. 1677)
1648 · Etching; only state
In copyright
liveThe MetSimilar
1. Pin the work
Choose the record and say what you are actually going to do with it. The product re-reads the work live and stores a snapshot, so your docket records what the institution said today.
2. Read the arithmetic
Six weighted factors: the institution's own claim, the creator's term, the publication-age rule, the restrictions in their statement, your use, and whether a credit line is even possible.
3. Seal and export
Record the decision into a SHA-384 chain, then export a dated docket as JSON, CSV or Markdown with the credit line and the seal a colleague can re-verify.