
The Woman in White
William Harcourt Hooper (d. 1912)
1871 · Wood engraving; proof
Cleared · Public Domain
liveRights clearance desk for images
Museums publish two different things about the same artwork: whether the work is in copyright, and whether their picture of it is. OpenPlate reads both, does the arithmetic on the published term, and shows you the sentence behind every point of the score.
Where this page got its records
498 ms. The Metropolitan Museum of Art, Collection API (Open Access)
356 ms. The Cleveland Museum of Art, Open Access API
2 of 2 providers answered live. 35,621 matching records exist across the two collections.
Institutions answered newest-first by record, interleaved

The Woman in White
William Harcourt Hooper (d. 1912)
1871 · Wood engraving; proof
Cleared · Public Domain
live
Portrait of a Woman
Rembrandt van Rijn (d. 1669)
1635 or earlier · Painting, oil on wood
Cleared · CC0
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
[Woman in White Cap and Gloves]
Rufus Anson
1850s · Daguerreotype with applied color
In copyright
live
Portrait of a Woman
Gerard ter Borch (d. 1681)
c. 1665 · Painting, oil on canvas
Cleared · CC0
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Woman in White
Howard Chandler Christy (d. 1952)
1906 · Pastel and watercolor on cardboard
In copyright
live
A Young Woman Buying a Pink from a Young Man
Giovanni Battista Piazzetta (d. 1754)
c. 1740 · Drawing, black crayon (wetted and rubbed) heightened with white chalk on faded blue paper
Cleared · CC0
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Experiment 27
Clarence H. White (d. 1925)
1907, printed 1907–9 · Platinum print
In copyright
live
White Flower
Georgia O'Keeffe (d. 1986)
1929 · Painting, oil on canvas
Cleared · CC0
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Experiment 27
Clarence H. White (d. 1925)
1907, printed 1909 · Photogravure
In copyright
live
Study of a Nude Woman, Seated Looking to the Right (recto)
Pierre-Paul Prud'hon (d. 1823)
c. 1810 · Drawing, black and white chalk (both stumped)
Cleared · CC0
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Experiment 28
Clarence H. White (d. 1925)
1907, printed 1907–9 · Platinum print
In copyright
live
Study of a Nude Woman, Seated Looking to the Right (recto) Study of a Male Nude (verso)
Pierre-Paul Prud'hon (d. 1823)
c. 1810 · Drawing, black and white chalk (both stumped)
Cleared · CC0
live1. Pin the work
Choose the record and say what you are actually going to do with it. The product re-reads the work live and stores a snapshot, so your docket records what the institution said today.
2. Read the arithmetic
Six weighted factors: the institution's own claim, the creator's term, the publication-age rule, the restrictions in their statement, your use, and whether a credit line is even possible.
3. Seal and export
Record the decision into a SHA-384 chain, then export a dated docket as JSON, CSV or Markdown with the credit line and the seal a colleague can re-verify.