
Hercules and Omphale
Vincennes Manufactory (d. 1756)
ca. 1749–50 · Soft-paste porcelain
Cleared · Public Domain
liveRights clearance desk for images
Museums publish two different things about the same artwork: whether the work is in copyright, and whether their picture of it is. OpenPlate reads both, does the arithmetic on the published term, and shows you the sentence behind every point of the score.
Where this page got its records
151 ms. The Metropolitan Museum of Art, Collection API (Open Access)
417 ms. The Cleveland Museum of Art, Open Access API
2 of 2 providers answered live. 10 matching records exist across the two collections.
Institutions answered newest-first by record, interleaved

Hercules and Omphale
Vincennes Manufactory (d. 1756)
ca. 1749–50 · Soft-paste porcelain
Cleared · Public Domain
live
The Repository of Arts, Literature, Commerce, Manufactures, Fashions, and Politics, 1st series, vol. 1
Rudolph Ackermann, London (d. 1832)
January–June 1809 · Illustrations: hand-colored etching, woodcut, and textile samples
Cleared · Public Domain
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Indica mulier cum viro, in America; Indi et Indicae Orientales; Nobilis faemina in America; Athabalippa Rex ultimus Americae; Vidua et Virgo Africanae; Maura Granaiensis
Abraham de Bruyn (d. 1587)
1580 · Engraving
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Le Jeu de Bagues Chinoises
Anonymous, French, 19th century (d. 1900)
ca. 1805 · Graphite, brown ink and wash
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Illustrated London Almanack
Mason Jackson (d. 1903)
1865–70 · Illustrations: wood engravings and color lithographs
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Woodcuts from Designs by Various Artists, Collected by Arthur Heseltine, 1873
Dalziel Brothers (d. 1893)
1860–73 · Wood engraving
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Woman in oriental dress selling lemons
Wilhelm Geissler (d. 1928)
1903 · Watercolor and gouache
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Costumes Parisiens 159: Robe de Garden Party en mousseline blanche et liberty orange
H-Robert Dammy
1914 · plates: hand colored engraving
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Le Vrai et le Faux Chic, Musée des Erreurs, Page 3
Georges Goursat [Sem] (d. 1934)
1914 · Color lithograph
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Buffalo Dance
Tonita Peña (also known as Quah Ah) (d. 1949)
ca. 1940 · Gouache, watercolor, pen and pencil on paper
In copyright
live1. Pin the work
Choose the record and say what you are actually going to do with it. The product re-reads the work live and stores a snapshot, so your docket records what the institution said today.
2. Read the arithmetic
Six weighted factors: the institution's own claim, the creator's term, the publication-age rule, the restrictions in their statement, your use, and whether a credit line is even possible.
3. Seal and export
Record the decision into a SHA-384 chain, then export a dated docket as JSON, CSV or Markdown with the credit line and the seal a colleague can re-verify.