
Limestone funerary monument of a woman
Unrecorded maker
1st century CE · Limestone
Cleared · Public Domain
liveRights clearance desk for images
Museums publish two different things about the same artwork: whether the work is in copyright, and whether their picture of it is. OpenPlate reads both, does the arithmetic on the published term, and shows you the sentence behind every point of the score.
Where this page got its records
756 ms. The Metropolitan Museum of Art, Collection API (Open Access)
609 ms. The Cleveland Museum of Art, Open Access API
2 of 2 providers answered live. 764 matching records exist across the two collections.
Institutions answered newest-first by record, interleaved

Limestone funerary monument of a woman
Unrecorded maker
1st century CE · Limestone
Cleared · Public Domain
live
Camel
Unrecorded maker
first half 12th century (possibly 1129–34) · Fresco transferred to canvas
Cleared · Public Domain
live
Bust of a woman in profile facing left, set in an elaborate frame with figures in niches at left and right
Battista Angolo del Moro (d. 1573)
ca. 1540–80 · Etching
Cleared · Public Domain
live
A woman carrying a child on a horse at left, a camel following her, a herd of goats, sheep, and a shepherd in front of her at right, plate 5 from "Roman landscapes and ruins" (Paysages et ruines de Rome)
Stefano della Bella (d. 1664)
ca. 1646 · Etching; fourth state of nine (Talbierska)
Cleared · Public Domain
live
A Woman Seated Near a Basket on a Stool
Cornelis Bega (d. 1664)
ca. 1658–62 · Black chalk, heightened with white chalk, on blue paper; framing line in pen and brown ink, probably by a later hand
Cleared · Public Domain
live
Camel
Unrecorded maker
second half 18th century · Polychromed wooden body covered with stucco; wooden saddle and leather girth straps; burlap cushion and leather saddlebags
Cleared · Public Domain
live
Woman with a Mirror
Imperial Russian Tapestry Manufactory, Saint Petersburg
late 18th century · Wool, metal thread (20-25 warps per inch, 8-10 per cm.)
Cleared · Public Domain
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Terracotta statuette of a woman
Unrecorded maker
1st half of the 5th century BCE · Terracotta
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Terracotta statuette of a woman
Unrecorded maker
1st half of 5th century BCE · Terracotta
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Nude woman on a pedestal with a chariot drawn by horses on both sides, set in an frame at center and surrounded by grotesques, from "Grottesco: in diversche manieren"
Hans Vredeman de Vries (d. 1606)
ca. 1565–71 · Etching
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Woman on a camel, set in a frame at center and surrounded by grotesques, from "Grottesco: in diversche manieren"
Hans Vredeman de Vries (d. 1606)
ca. 1565–71 · Etching
In copyright
live1. Pin the work
Choose the record and say what you are actually going to do with it. The product re-reads the work live and stores a snapshot, so your docket records what the institution said today.
2. Read the arithmetic
Six weighted factors: the institution's own claim, the creator's term, the publication-age rule, the restrictions in their statement, your use, and whether a credit line is even possible.
3. Seal and export
Record the decision into a SHA-384 chain, then export a dated docket as JSON, CSV or Markdown with the credit line and the seal a colleague can re-verify.