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OpenPlate

Rights clearance desk for images

A painting can be out of copyright and thephotograph of it can still be protected.

Museums publish two different things about the same artwork: whether the work is in copyright, and whether their picture of it is. OpenPlate reads both, does the arithmetic on the published term, and shows you the sentence behind every point of the score.

Where this page got its records

  • The Metlive

    1532 ms. The Metropolitan Museum of Art, Collection API (Open Access)

  • Clevelandlive

    363 ms. The Cleveland Museum of Art, Open Access API

Your defaults

United States, editorial use, 10,000 reach.

Change on the terms page

2 of 2 providers answered live. 6,210 matching records exist across the two collections.

Results for "Woman with Collie"12 records

Institutions answered newest-first by record, interleaved

Woman with Child by an unrecorded maker, The Metropolitan Museum of Art

Woman with Child

Unrecorded maker

ca. 1550–1450 BCE · Limestone

Cleared · Public Domain

live
The MetSimilar
Woman with a lyre by an unrecorded maker, The Metropolitan Museum of Art

Woman with a lyre

Unrecorded maker

ca. 945–525 BCE · Faience

Cleared · Public Domain

live
The MetSimilar
Woman with a Pink by Rembrandt (Rembrandt van Rijn), The Metropolitan Museum of Art

Woman with a Pink

Rembrandt (Rembrandt van Rijn) (d. 1669)

early 1660s · Oil on canvas

Cleared · Public Domain

live
The MetSimilar
Woman with Collie by John Singer Sargent, The Metropolitan Museum of Art

Woman with Collie

John Singer Sargent (d. 1925)

after 1890 · Watercolor, gouache, and graphite on white wove paper

Cleared · Public Domain

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Young woman with bonnet

Wenceslaus Hollar (d. 1677)

1635 · Etching; second state of two

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Young woman with bib

Wenceslaus Hollar (d. 1677)

1636 · Etching; second state of two

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Young woman with pigtails

Wenceslaus Hollar (d. 1677)

1636 · Etching; second state of two

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Woman with a Fan

Thomas Wright (d. 1849)

1807–15 · Etching

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Woman with a Book

Pablo Picasso (d. 1973)

Paris, spring 1909 · Oil on canvas

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Woman with a Cat

Fernand Léger (d. 1955)

1921 · Oil on canvas

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Woman with Lotus

Y. G. Srimati (d. 2007)

dated August 27, 1951 · Watercolor on paper

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Woman with Lute

Mauricio Lasansky (d. 2012)

1965 · Engraving, etching, soft ground, sandpaper, aquatint, electric stippler, scraping and burnishing

In copyright

live
The MetSimilar

1. Pin the work

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2. Read the arithmetic

Six weighted factors: the institution's own claim, the creator's term, the publication-age rule, the restrictions in their statement, your use, and whether a credit line is even possible.

3. Seal and export

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