
Seated Woman, Arms Crossed in Prayer
Claude Mellan (d. 1688)
1688 · Engraving
Cleared · Public Domain
liveRights clearance desk for images
Museums publish two different things about the same artwork: whether the work is in copyright, and whether their picture of it is. OpenPlate reads both, does the arithmetic on the published term, and shows you the sentence behind every point of the score.
Where this page got its records
84 ms. The Metropolitan Museum of Art, Collection API (Open Access)
22 ms. The Cleveland Museum of Art, Open Access API
2 of 2 providers answered live. 21,951 matching records exist across the two collections.
Institutions answered newest-first by record, interleaved

Seated Woman, Arms Crossed in Prayer
Claude Mellan (d. 1688)
1688 · Engraving
Cleared · Public Domain
live
Band with Figures of Women and Angels
Unrecorded maker
1500s–1600s · Lace, Bleached linen: needle lace, filet/lacis (knotted ground and darned in two directions)
Cleared · CC0
live![[Seated Elderly Man with Arms Crossed] by Unknown, The Metropolitan Museum of Art](https://images.metmuseum.org/CRDImages/ph/web-large/DP700185.jpg)
[Seated Elderly Man with Arms Crossed]
Unknown
1850s · Daguerreotype
Cleared · Public Domain
live
Portrait of a Man, Possibly Sir Soulden Lawrence
John I Smart (d. 1811)
1770 · Portrait Miniature, watercolor on ivory in an amalgam frame
Cleared · CC0
live
Herbert
Morton Schamberg (d. 1918)
1912 · Gelatin silver print
Cleared · Public Domain
live
Embroidery sampler (chelliga/shelliga)
Unrecorded maker
c. 1700s · Sampler, Cotton, silk, dye
Cleared · CC0
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
[Man with Crossed Arms]
Unknown
ca.1862 · Ambrotype
In copyright
live
Embroidery sampler (chelliga/shelliga)
Unrecorded maker
1800s · Sampler, Cotton, silk, dye
Cleared · CC0
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
[A Couple, the Man with Arms Crossed and Woman with Hand on Table]
Theodore Lilienthal (d. 1894)
1870s · Albumen silver print
In copyright
live
Landscape
Unrecorded maker
1368–1644 · Painting, handscroll; ink and slight color on silk
Cleared · CC0
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Woman with Arms Crossed, Seated on a Swing, from the French Novelties series (N110) to promote Honest Long Cut Tobacco manufactured by W. Duke Sons & Co.
W. Duke, Sons & Co. (d. 1920)
1892 · Commercial color lithograph
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Woman seated with her arms crossed
Emilio Amero (d. 1976)
1930 · Drypoint
In copyright
live1. Pin the work
Choose the record and say what you are actually going to do with it. The product re-reads the work live and stores a snapshot, so your docket records what the institution said today.
2. Read the arithmetic
Six weighted factors: the institution's own claim, the creator's term, the publication-age rule, the restrictions in their statement, your use, and whether a credit line is even possible.
3. Seal and export
Record the decision into a SHA-384 chain, then export a dated docket as JSON, CSV or Markdown with the credit line and the seal a colleague can re-verify.