
Woman with houpette on forehead turned to left, from "Women's Heads Framed in Roundels"
Wenceslaus Hollar (d. 1677)
1643 · Etching; second state of two
Cleared · Public Domain
liveRights clearance desk for images
Museums publish two different things about the same artwork: whether the work is in copyright, and whether their picture of it is. OpenPlate reads both, does the arithmetic on the published term, and shows you the sentence behind every point of the score.
Where this page got its records
293 ms. The Metropolitan Museum of Art, Collection API (Open Access)
1612 ms. The Cleveland Museum of Art, Open Access API
2 of 2 providers answered live. 3,642 matching records exist across the two collections.
Institutions answered newest-first by record, interleaved

Woman with houpette on forehead turned to left, from "Women's Heads Framed in Roundels"
Wenceslaus Hollar (d. 1677)
1643 · Etching; second state of two
Cleared · Public Domain
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Head of a woman wearing pearls with curled hair
Wenceslaus Hollar (d. 1677)
1642 · Etching; only state
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Woman half left
Wenceslaus Hollar (d. 1677)
1642 · Etching: only state
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Woman's Head with Forehead Puff and Stalk
Wenceslaus Hollar (d. 1677)
1643 · Etching; first state of two
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Woman with circular lace ruff turned slightly to right
Wenceslaus Hollar (d. 1677)
1644 · Etching; first state of three
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Woman with circular lace ruff turned slightly to right
Wenceslaus Hollar (d. 1677)
1644 · Etching; second state of three
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Woman with shoulder-length curly hair, pearl necklace and a wide white collar
Wenceslaus Hollar (d. 1677)
1646 · Etching: only state
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Woman with soft cap edges with lace a bow on her decolletage, turned to front.
Wenceslaus Hollar (d. 1677)
1647 · Etching; only state
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Head of a woman with a black lace kerchief head-dress and hair tied in a black ribbon
Wenceslaus Hollar (d. 1677)
1648 · Etching; only state
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Woman with Black Feather - Countess of Essex
Peregrine Lovell (d. 1647)
1646–56 · Etching; second state of three
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Young boy with curly, shoulder-length hair
Guercino (Giovanni Francesco Barbieri) (d. 1666)
1800 · Etching
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Bearded man with shoulder-length curly hair looking up to the left
Guercino (Giovanni Francesco Barbieri) (d. 1666)
1900 · Etching
In copyright
live1. Pin the work
Choose the record and say what you are actually going to do with it. The product re-reads the work live and stores a snapshot, so your docket records what the institution said today.
2. Read the arithmetic
Six weighted factors: the institution's own claim, the creator's term, the publication-age rule, the restrictions in their statement, your use, and whether a credit line is even possible.
3. Seal and export
Record the decision into a SHA-384 chain, then export a dated docket as JSON, CSV or Markdown with the credit line and the seal a colleague can re-verify.