
Glass bowl fragment with erotic scenes
Unrecorded maker
end of 1st century BCE–beginning of 1st century CE · Glass
Cleared · Public Domain
liveRights clearance desk for images
Museums publish two different things about the same artwork: whether the work is in copyright, and whether their picture of it is. OpenPlate reads both, does the arithmetic on the published term, and shows you the sentence behind every point of the score.
Where this page got its records
272 ms. The Metropolitan Museum of Art, Collection API (Open Access)
295 ms. The Cleveland Museum of Art, Open Access API
2 of 2 providers answered live. 1,444 matching records exist across the two collections.
Institutions answered newest-first by record, interleaved

Glass bowl fragment with erotic scenes
Unrecorded maker
end of 1st century BCE–beginning of 1st century CE · Glass
Cleared · Public Domain
live
Glass cameo plaque fragment
Unrecorded maker
1st century CE · Glass
Cleared · Public Domain
live
Study of a Young Woman in Three-quarter Bust-Length
Bronzino (Agnolo di Cosimo di Mariano) (d. 1572)
ca. 1540–42 · Black chalk
Cleared · Public Domain
live
Roman State
Richard Cooper II (d. 1822)
1774–75 · Graphite
Cleared · Public Domain
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Danish Woman (Mulier Danica)
Wenceslaus Hollar (d. 1677)
1643 · Etching; first state of three
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Danish Woman (Mulier Danica)
Wenceslaus Hollar (d. 1677)
1643 · Etching
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Woman with white cap edges with lace and matching white collar, turned to left.
Wenceslaus Hollar (d. 1677)
1647 · Etching; only state
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Woman with white cap, the edge turned back, and matching white collar, in profile to left.
Wenceslaus Hollar (d. 1677)
1647 · Etching; only state
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Strasbourg Woman (Matrona Argentinensis Caenam Dni: accedens)
Wenceslaus Hollar (d. 1677)
1644–50 · Etching; only state
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Etchings for the Art-Union of London
The Etching Club (d. 1885)
1857 · Etching
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
The Darktown Bicycle Race -- The Start: "Now for de fastest record ever known."
John Cameron (d. 1896)
1895 · Hand-colored lithograph
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
TU-BA-PHONE DELUXE model banjo, serial no. 51577
Vega Company (d. 1960)
ca. 1924 · Wood, metal, bone, ivoroid, mother-of-pearl
In copyright
live1. Pin the work
Choose the record and say what you are actually going to do with it. The product re-reads the work live and stores a snapshot, so your docket records what the institution said today.
2. Read the arithmetic
Six weighted factors: the institution's own claim, the creator's term, the publication-age rule, the restrictions in their statement, your use, and whether a credit line is even possible.
3. Seal and export
Record the decision into a SHA-384 chain, then export a dated docket as JSON, CSV or Markdown with the credit line and the seal a colleague can re-verify.