
Terracotta column-krater (bowl for mixing wine and water)
Orchard Painter
ca. 470–460 BCE · Terracotta
Cleared · Public Domain
liveRights clearance desk for images
Museums publish two different things about the same artwork: whether the work is in copyright, and whether their picture of it is. OpenPlate reads both, does the arithmetic on the published term, and shows you the sentence behind every point of the score.
Where this page got its records
483 ms. The Metropolitan Museum of Art, Collection API (Open Access)
267 ms. The Cleveland Museum of Art, Open Access API
2 of 2 providers answered live. 11 matching records exist across the two collections.
Institutions answered newest-first by record, interleaved

Terracotta column-krater (bowl for mixing wine and water)
Orchard Painter
ca. 470–460 BCE · Terracotta
Cleared · Public Domain
live
Women Beside a Stream Chasing Fireflies
Chōbunsai Eishi (d. 1829)
c. 1796–97 · Print, woodblock print; ink and color on paper
Cleared · CC0
live
Landscape with Cottage
Hendrick Goltzius (d. 1617)
ca. 1597–98 · Woodcut; second state
Cleared · Public Domain
live
Story of Gombaut and Macée
Unrecorded maker
ca. 1600 · Wool and silk on canvas
Cleared · Public Domain
live
Page From a Dispersed Chandana Malayagiri Varta: (Roaming the Sandlewood Mountain) a (recto), Above, Caravan and Merchants; Below, Raja Presenting a String of Pearls to His Queen; b (verso) A Lady Gathering Wood Beside a Stream
Rikhaji, son of Karam Chand
1749 (Samvat 1802) · Ink and opaque watercolor on paper
Cleared · Public Domain
live
Two Girls Catching Fireflies
Kawamata Tsunemasa (d. 1758)
first half of the 18th century · Hanging scroll; ink, color, and gold on silk
Cleared · Public Domain
live
Kanjo: A Court Lady
Torii Kiyonaga (d. 1815)
ca. 1790 · Woodblock print; ink and color on paper
Cleared · Public Domain
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Album containing prints clipped from American and British periodicals
Illman and Sons (d. 1900)
1815–60 · Hand-colored etching, engraving, lithograph, mezzotint
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Farm Life in Summer – The Cooling Stream
Currier & Ives (d. 1907)
1867 · Hand-colored lithograph
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Early Autumn in the Catskills
Currier & Ives (d. 1907)
1857–71 · Hand-colored lithograph
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
From Hungerford Bridge
Edgar Wilson (d. 1918)
1875–1918 · Etching with plate tone
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
“Profound Refinement, Escaping the Dust of the World”
Noguchi Shōhin 野口小蘋 (d. 1917)
ca. 1910 · Hanging scroll; ink on silk
In copyright
live1. Pin the work
Choose the record and say what you are actually going to do with it. The product re-reads the work live and stores a snapshot, so your docket records what the institution said today.
2. Read the arithmetic
Six weighted factors: the institution's own claim, the creator's term, the publication-age rule, the restrictions in their statement, your use, and whether a credit line is even possible.
3. Seal and export
Record the decision into a SHA-384 chain, then export a dated docket as JSON, CSV or Markdown with the credit line and the seal a colleague can re-verify.