
Writing table (bureau plat)
Bernard II van Risenburgh (d. 1767)
ca. 1745–50 · Veneered on oak with ebony; mounts of chased and gilded bronze; top inlaid with later panels of black morocco and gilt-tooled leather
Cleared · Public Domain
liveRights clearance desk for images
Museums publish two different things about the same artwork: whether the work is in copyright, and whether their picture of it is. OpenPlate reads both, does the arithmetic on the published term, and shows you the sentence behind every point of the score.
Where this page got its records
416 ms. The Metropolitan Museum of Art, Collection API (Open Access)
444 ms. The Cleveland Museum of Art, Open Access API
2 of 2 providers answered live. 140 matching records exist across the two collections.
Institutions answered newest-first by record, interleaved

Writing table (bureau plat)
Bernard II van Risenburgh (d. 1767)
ca. 1745–50 · Veneered on oak with ebony; mounts of chased and gilded bronze; top inlaid with later panels of black morocco and gilt-tooled leather
Cleared · Public Domain
live
Work and writing table
Laurent Rochette
ca. 1760 · Oak and pine veneered with mahogany, amaranth, partly green-stained and engraved maple, and bloodwood (?), ebonized wood; gilt-bronze mounts; metal liners for writing equipment, blue silk.
Cleared · Public Domain
live
Work and writing table
Unrecorded maker
ca. 1750–60 · Oak, pine, and light-colored hardwood, veneered with mahogany, tulipwood, amaranth, partly shaded and engraved barberry, partly stained, shaded, and engraved maple; leather dyed green with gold-tooled border; brass liners; gilt-bronze mounts.
Cleared · Public Domain
live
Work and writing table
Bernard II van Risenburgh (d. 1767)
ca. 1755–60 · Oak, tulipwood, root-cut kingwood, gilt bronze and silvered metal
Cleared · Public Domain
live
Work and writing table (table en chiffonière)
Bernard II van Risenburgh (d. 1767)
ca. 1760 · Oak and pine veneered with tulipwood, kingwood, purplewood and satiné, gilt bronze, silvered metal
Cleared · Public Domain
live
Work and writing table (table en chiffonière)
Bernard II van Risenburgh (d. 1767)
ca. 1760 · Oak and beech veneered with tulipwood and purplewood; gilt bronze, blue moiré silk
Cleared · Public Domain
live
Work and writing table (table en chiffonière)
Adrien-Faizelot Delorme (d. 1783)
ca. 1755–65 · Oak veneered with tulipwood, kingwood, holly, engraved satinwood and green stained wood, gilt bronze and brass, gold-tooled green leather.
Cleared · Public Domain
live
Work and writing table (table en chiffonière)
Unrecorded maker
ca. 1755–65 · Oak veneered with tulipwood, engraved satinwood, harewood and green-stained wood, gilt bronze, brass, silvered metal, gold-tooled leather
Cleared · Public Domain
live
Work and writing table
Léonard Boudin (d. 1807)
ca. 1761–70 · Oak veneered with tulipwood, amaranth, and sycamore; gilt-bronze mounts; leather dyed black with gold-tooled border.
Cleared · Public Domain
live
Writing table
Roger Vandercruse, called Lacroix (d. 1799)
ca. 1760–70 · Oak, veneered with rosewood, endcut kingwood, banding of holly, gilt-bronze
Cleared · Public Domain
live
Work table
Lemuel Churchill (d. 1828)
1810–15 · Mahogany, tulip poplar, ebony, ivory, brass
Cleared · Public Domain
live
Work Table
F. J. Henkel (d. 1869)
ca. 1860 · Ebonized cherry, bird's-eye maple
Cleared · Public Domain
live1. Pin the work
Choose the record and say what you are actually going to do with it. The product re-reads the work live and stores a snapshot, so your docket records what the institution said today.
2. Read the arithmetic
Six weighted factors: the institution's own claim, the creator's term, the publication-age rule, the restrictions in their statement, your use, and whether a credit line is even possible.
3. Seal and export
Record the decision into a SHA-384 chain, then export a dated docket as JSON, CSV or Markdown with the credit line and the seal a colleague can re-verify.