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OpenPlate

Rights clearance desk for images

A painting can be out of copyright and thephotograph of it can still be protected.

Museums publish two different things about the same artwork: whether the work is in copyright, and whether their picture of it is. OpenPlate reads both, does the arithmetic on the published term, and shows you the sentence behind every point of the score.

Where this page got its records

  • The Metlive

    305 ms. The Metropolitan Museum of Art, Collection API (Open Access)

  • Clevelandlive

    374 ms. The Cleveland Museum of Art, Open Access API

Your defaults

United States, editorial use, 10,000 reach.

Change on the terms page

2 of 2 providers answered live. 331 matching records exist across the two collections.

Results for "Work bag"12 records

Institutions answered newest-first by record, interleaved

Chuspa (coca bag) by Moche artist(s), The Metropolitan Museum of Art

Chuspa (coca bag)

Moche artist(s)

650-850 CE · Cotton, camelid hair, and dye

Cleared · Public Domain

live
The MetSimilar
Work Table by an unrecorded maker, The Cleveland Museum of Art

Work Table

Unrecorded maker

1800–1825 · Furniture and woodwork, maple, brass hardware

Cleared · CC0

live
Cleveland Museum of ArtSimilar
Work bag by an unrecorded maker, The Metropolitan Museum of Art

Work bag

Unrecorded maker

1669 · Linen worked with wool thread; double running and herringbone stitches

Cleared · Public Domain

live
The MetSimilar
Pipe Bag by an unrecorded maker, The Cleveland Museum of Art

Pipe Bag

Unrecorded maker

c. 1870–1890 · Textile, canvas and quill work

Cleared · CC0

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Cleveland Museum of ArtSimilar
Work Table by an unrecorded maker, The Metropolitan Museum of Art

Work Table

Unrecorded maker

1800–1810 · Mahogany, bird's-eye maple

Cleared · Public Domain

live
The MetSimilar
Purse by an unrecorded maker, The Cleveland Museum of Art

Purse

Unrecorded maker

early 1600s · Embroidery, embroidery; silk and silver filé on linen ground

Cleared · CC0

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Cleveland Museum of ArtSimilar
Work Table by an unrecorded maker, The Metropolitan Museum of Art

Work Table

Unrecorded maker

1800–1810 · Bird’s-eye maple, mahogany with yellow poplar, white pine

Cleared · Public Domain

live
The MetSimilar
Purse by an unrecorded maker, The Cleveland Museum of Art

Purse

Unrecorded maker

early 1600s · Embroidery, embroidery; silk and silver filé on linen ground

Cleared · CC0

live
Cleveland Museum of ArtSimilar
Astragal-end Work Table by an unrecorded maker, The Metropolitan Museum of Art

Astragal-end Work Table

Unrecorded maker

1805–15 · Mahogany, rosewood, Spanish cedar, white pine, poplar

Cleared · Public Domain

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The MetSimilar
Beaded Bag by an unrecorded maker, The Metropolitan Museum of Art

Beaded Bag

Unrecorded maker

ca. 1860 · Tanned leather, cordage, glass beads, brass beads, and commercial brass buttons

Cleared · Public Domain

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The MetSimilar
Pouch by an unrecorded maker, The Metropolitan Museum of Art

Pouch

Unrecorded maker

fourth quarter 19th century · glass, silk, linen

Cleared · Public Domain

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The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Gobbers! Git a Bag!

Bernece Berkman-Hunter (d. 1988)

1941 · Serigraph

In copyright

live
The MetSimilar

1. Pin the work

Choose the record and say what you are actually going to do with it. The product re-reads the work live and stores a snapshot, so your docket records what the institution said today.

2. Read the arithmetic

Six weighted factors: the institution's own claim, the creator's term, the publication-age rule, the restrictions in their statement, your use, and whether a credit line is even possible.

3. Seal and export

Record the decision into a SHA-384 chain, then export a dated docket as JSON, CSV or Markdown with the credit line and the seal a colleague can re-verify.