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OpenPlate

Rights clearance desk for images

A painting can be out of copyright and thephotograph of it can still be protected.

Museums publish two different things about the same artwork: whether the work is in copyright, and whether their picture of it is. OpenPlate reads both, does the arithmetic on the published term, and shows you the sentence behind every point of the score.

Where this page got its records

  • The Metlive

    215 ms. The Metropolitan Museum of Art, Collection API (Open Access)

  • Clevelandlive

    298 ms. The Cleveland Museum of Art, Open Access API

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United States, editorial use, 10,000 reach.

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2 of 2 providers answered live. 170 matching records exist across the two collections.

Results for "Working Drawings for Side Bar Gig, no. 4"12 records

Institutions answered newest-first by record, interleaved

Lucretia by Raphael (Raffaello Sanzio or Santi), The Metropolitan Museum of Art

Lucretia

Raphael (Raffaello Sanzio or Santi) (d. 1520)

1508–10 · Pen and brown ink over black chalk, partially incised with a stylus (recto); rubbed with black chalk for transfer (verso)

Cleared · Public Domain

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The MetSimilar
Apparition of Christ (recto); Printed Fragment with Jupiter Enthroned with Eagle, from Caraglio's "Martyrdom of Saint Peter and Saint Paul" (verso) by Parmigianino (Girolamo Francesco Maria Mazzola), The Metropolitan Museum of Art

Apparition of Christ (recto); Printed Fragment with Jupiter Enthroned with Eagle, from Caraglio's "Martyrdom of Saint Peter and Saint Paul" (verso)

Parmigianino (Girolamo Francesco Maria Mazzola) (d. 1540)

1524–27 · Pen and brown ink, brush and gray-brown wash, over traces of leadpoint and some stylus ruling (recto); printed Jupiter enthroned with attendant eagle (verso)

Cleared · Public Domain

live
The MetSimilar
Design for a Freestanding Tomb Seen in Elevation and Plan by Antonio da Sangallo, the Younger, The Metropolitan Museum of Art

Design for a Freestanding Tomb Seen in Elevation and Plan

Antonio da Sangallo, the Younger (d. 1546)

1530–35 · Pen and brown ink, brush and brown wash, over extensive compass-incised and stylus-ruled construction with pin-pricked measurements

Cleared · Public Domain

live
The MetSimilar
Cornelia, Mother of the Gracchi, Pointing to her Children as her Most Precious Ornaments by Gillis Mostaert the Elder, The Metropolitan Museum of Art

Cornelia, Mother of the Gracchi, Pointing to her Children as her Most Precious Ornaments

Gillis Mostaert the Elder (d. 1598)

mid-16th–late 16th century · Pen and brown ink, brush and blue wash

Cleared · Public Domain

live
The MetSimilar
The Last Trumpet (recto); Two studies of a right eye, a profile of an open-mouthed young man, the head of an eagle, and the head of a lion (verso) by William Blake, The Metropolitan Museum of Art

The Last Trumpet (recto); Two studies of a right eye, a profile of an open-mouthed young man, the head of an eagle, and the head of a lion (verso)

William Blake (d. 1827)

1780–85 · Recto: pen and gummed carbon black ink and layered gray ink washes with graphite underdrawing and reductive techniques Verso: black chalk

Cleared · Public Domain

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The MetSimilar
Water Cress Gatherers ( (Liber Studiorum, part XIII) by Joseph Mallord William Turner, The Metropolitan Museum of Art

Water Cress Gatherers ( (Liber Studiorum, part XIII)

Joseph Mallord William Turner (d. 1851)

1819 · Etching only; before first state of three

Cleared · Public Domain

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The MetSimilar
Exterior Window Bay from the Farnese Palace of Caprarola, Preparatory Study for the 'Oeuvres Complètes de Jacques Barozzi de Vignole' by François Debret, The Metropolitan Museum of Art

Exterior Window Bay from the Farnese Palace of Caprarola, Preparatory Study for the 'Oeuvres Complètes de Jacques Barozzi de Vignole'

François Debret (d. 1850)

1815–23 · Pen and black ink over graphite underdrawing, pink, gray and yellow watercolor

Cleared · Public Domain

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The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Studies for Hercules Holding a Club Seen in Frontal View, Male Nude Unsheathing a Sword, and the Movements of Water (recto); Study for Hercules Holding a Club Seen in Rear View (verso)

Leonardo da Vinci (d. 1519)

ca. 1506–8 · Pen and brown ink; soft black chalk or charcoal (recto); soft black chalk or charcoal (verso)

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Working Drawings for Side Bar Gig, no. 4113 (from no. 25099)

Brewster & Co.

second half 19th century · a: graphite, b: graphite and ink

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Presentation Drawing for a Wrought-Iron Bar Cart (No.16533.3)

Edgar Brandt (d. 1960)

ca. 1950–52 · Black chalk over graphite

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Do EAST!

Puro Chingón Collective

2012-

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Untitled

Jasper Johns (d. 9999)

2018 · Ink on paper or plastic, 24 sheets

In copyright

live
The MetSimilar

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