
Study of a Young Woman in Three-quarter Bust-Length
Bronzino (Agnolo di Cosimo di Mariano) (d. 1572)
ca. 1540–42 · Black chalk
Cleared · Public Domain
liveRights clearance desk for images
Museums publish two different things about the same artwork: whether the work is in copyright, and whether their picture of it is. OpenPlate reads both, does the arithmetic on the published term, and shows you the sentence behind every point of the score.
Where this page got its records
228 ms. The Metropolitan Museum of Art, Collection API (Open Access)
451 ms. The Cleveland Museum of Art, Open Access API
2 of 2 providers answered live. 2,210 matching records exist across the two collections.
Institutions answered newest-first by record, interleaved

Study of a Young Woman in Three-quarter Bust-Length
Bronzino (Agnolo di Cosimo di Mariano) (d. 1572)
ca. 1540–42 · Black chalk
Cleared · Public Domain
live
Working Woman with Blue Shawl
Käthe Kollwitz (d. 1945)
1903 · Print, color lithograph
Cleared · CC0
live
Seated Woman Curling her Hair
Unrecorded maker
late 16th–early 17th century · Ink, opaque watercolor, and gold on paper
Cleared · Public Domain
live
Working Woman with Blue Shawl
Käthe Kollwitz (d. 1945)
1903 · Print, color lithograph
Cleared · CC0
live
Bust-length portrait study of a young woman with a striped shawl
Joseph van Aken (d. 1749)
ca. 1740–60 · Black and white chalk, brown ink and graphite on blue laid paper, squared in graphite
Cleared · Public Domain
live
Greeting Card
Johannes Endletzberger (d. 1850)
1810 · Gouache, metallic paint, metallic foil, hand-colored stipple engraving, and embossed and punched paper on silk
Cleared · Public Domain
live
Woodcutters at Park Place, Henley, the river Thames beyond
William Havell (d. 1857)
ca. 1826 · Graphite, watercolor and gouache (bodycolor) with gum arabic and scratching out
Cleared · Public Domain
live
Broadside with two love ballads (corridos), figures dancing upper left and a woman wearing a shawl and skirt lower right
José Guadalupe Posada (d. 1913)
ca. 1918 (published) · Type-metal engraving and letterpress on blue paper
Cleared · Public Domain
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
A Darktown Wedding -- The Send Off
Currier & Ives (d. 1907)
1892 · LIthograph with printed color and hand-coloring
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Working Woman with Blue Shawl (Brustbild Einer Arbeiterfrau Mit Blauem Tuch)
Käthe Kollwitz (d. 1945)
1903 · Lithograph printed in color; second state of three
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
The Lace Shawl
Helene Schjerfbeck (d. 1946)
1920 · Oil on canvas
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Somebody's Darling: Reverie in the Automat
Martin Lewis (d. 1962)
ca. 1937 · Watercolor and conté crayon
In copyright
live1. Pin the work
Choose the record and say what you are actually going to do with it. The product re-reads the work live and stores a snapshot, so your docket records what the institution said today.
2. Read the arithmetic
Six weighted factors: the institution's own claim, the creator's term, the publication-age rule, the restrictions in their statement, your use, and whether a credit line is even possible.
3. Seal and export
Record the decision into a SHA-384 chain, then export a dated docket as JSON, CSV or Markdown with the credit line and the seal a colleague can re-verify.