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OpenPlate

Rights clearance desk for images

A painting can be out of copyright and thephotograph of it can still be protected.

Museums publish two different things about the same artwork: whether the work is in copyright, and whether their picture of it is. OpenPlate reads both, does the arithmetic on the published term, and shows you the sentence behind every point of the score.

Where this page got its records

  • The Metlive

    228 ms. The Metropolitan Museum of Art, Collection API (Open Access)

  • Clevelandlive

    451 ms. The Cleveland Museum of Art, Open Access API

Your defaults

United States, editorial use, 10,000 reach.

Change on the terms page

2 of 2 providers answered live. 2,210 matching records exist across the two collections.

Results for "Working Woman with Blue Shawl"12 records

Institutions answered newest-first by record, interleaved

Study of a Young Woman in Three-quarter Bust-Length by Bronzino (Agnolo di Cosimo di Mariano), The Metropolitan Museum of Art

Study of a Young Woman in Three-quarter Bust-Length

Bronzino (Agnolo di Cosimo di Mariano) (d. 1572)

ca. 1540–42 · Black chalk

Cleared · Public Domain

live
The MetSimilar
Working Woman with Blue Shawl by Käthe Kollwitz, The Cleveland Museum of Art

Working Woman with Blue Shawl

Käthe Kollwitz (d. 1945)

1903 · Print, color lithograph

Cleared · CC0

live
Cleveland Museum of ArtSimilar
Seated Woman Curling her Hair by an unrecorded maker, The Metropolitan Museum of Art

Seated Woman Curling her Hair

Unrecorded maker

late 16th–early 17th century · Ink, opaque watercolor, and gold on paper

Cleared · Public Domain

live
The MetSimilar
Working Woman with Blue Shawl by Käthe Kollwitz, The Cleveland Museum of Art

Working Woman with Blue Shawl

Käthe Kollwitz (d. 1945)

1903 · Print, color lithograph

Cleared · CC0

live
Cleveland Museum of ArtSimilar
Bust-length portrait study of a young woman with a striped shawl by Joseph van Aken, The Metropolitan Museum of Art

Bust-length portrait study of a young woman with a striped shawl

Joseph van Aken (d. 1749)

ca. 1740–60 · Black and white chalk, brown ink and graphite on blue laid paper, squared in graphite

Cleared · Public Domain

live
The MetSimilar
Greeting Card by Johannes Endletzberger, The Metropolitan Museum of Art

Greeting Card

Johannes Endletzberger (d. 1850)

1810 · Gouache, metallic paint, metallic foil, hand-colored stipple engraving, and embossed and punched paper on silk

Cleared · Public Domain

live
The MetSimilar
Woodcutters at Park Place, Henley, the river Thames beyond by William Havell, The Metropolitan Museum of Art

Woodcutters at Park Place, Henley, the river Thames beyond

William Havell (d. 1857)

ca. 1826 · Graphite, watercolor and gouache (bodycolor) with gum arabic and scratching out

Cleared · Public Domain

live
The MetSimilar
Broadside with two love ballads (corridos), figures dancing upper left and a woman wearing a shawl and skirt lower right by José Guadalupe Posada, The Metropolitan Museum of Art

Broadside with two love ballads (corridos), figures dancing upper left and a woman wearing a shawl and skirt lower right

José Guadalupe Posada (d. 1913)

ca. 1918 (published) · Type-metal engraving and letterpress on blue paper

Cleared · Public Domain

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

A Darktown Wedding -- The Send Off

Currier & Ives (d. 1907)

1892 · LIthograph with printed color and hand-coloring

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Working Woman with Blue Shawl (Brustbild Einer Arbeiterfrau Mit Blauem Tuch)

Käthe Kollwitz (d. 1945)

1903 · Lithograph printed in color; second state of three

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

The Lace Shawl

Helene Schjerfbeck (d. 1946)

1920 · Oil on canvas

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Somebody's Darling: Reverie in the Automat

Martin Lewis (d. 1962)

ca. 1937 · Watercolor and conté crayon

In copyright

live
The MetSimilar

1. Pin the work

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2. Read the arithmetic

Six weighted factors: the institution's own claim, the creator's term, the publication-age rule, the restrictions in their statement, your use, and whether a credit line is even possible.

3. Seal and export

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