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OpenPlate

Rights clearance desk for images

A painting can be out of copyright and thephotograph of it can still be protected.

Museums publish two different things about the same artwork: whether the work is in copyright, and whether their picture of it is. OpenPlate reads both, does the arithmetic on the published term, and shows you the sentence behind every point of the score.

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Open the docketStar on GitHub

Where this page got its records

  • The Metlive

    536 ms. The Metropolitan Museum of Art, Collection API (Open Access)

  • Clevelandlive

    2367 ms. The Cleveland Museum of Art, Open Access API

Your defaults

United States, editorial use, 10,000 reach.

Change on the terms page

2 of 2 providers answered live. 105 matching records exist across the two collections.

Results for "Wounded to the Rear / One More Shot"12 records

Institutions answered newest-first by record, interleaved

Wheellock Rifle with Spanner, Shot Extracting Tool, and Shooting Patch by Martin Kammerer, The Metropolitan Museum of Art

Wheellock Rifle with Spanner, Shot Extracting Tool, and Shooting Patch

Martin Kammerer (d. 1667)

ca. 1665 · Steel, iron, gold, wood, antler, copper alloy, enamel, bone, textile

Cleared · Public Domain

live
The MetSimilar
Confederate Soldier [on the Battlefield at Antietam] by Alexander Gardner, The Metropolitan Museum of Art

Confederate Soldier [on the Battlefield at Antietam]

Alexander Gardner (d. 1882)

September 1862 · Albumen silver print from glass negative

Cleared · Public Domain

live
The MetSimilar
The Surgeon at Work at the Rear During an Engagement (from "Harper's Weekly," Vol. VII) by Winslow Homer, The Metropolitan Museum of Art

The Surgeon at Work at the Rear During an Engagement (from "Harper's Weekly," Vol. VII)

Winslow Homer (d. 1910)

July 12, 1862 · Wood engraving

Cleared · Public Domain

live
The MetSimilar
Wounded to the Rear / One More Shot by John Rogers, The Metropolitan Museum of Art

Wounded to the Rear / One More Shot

John Rogers (d. 1904)

1864; cast 1865 · Bronze

Cleared · Public Domain

live
The MetSimilar
[The Wilderness Battlefield] by G. O. Brown, The Metropolitan Museum of Art

[The Wilderness Battlefield]

G. O. Brown (d. 1889)

1866 · Albumen silver print from glass negative

Cleared · Public Domain

live
The MetSimilar
[The Wilderness Battlefield] by G. O. Brown, The Metropolitan Museum of Art

[The Wilderness Battlefield]

G. O. Brown (d. 1889)

1866 · Albumen silver print from glass negative

Cleared · Public Domain

live
The MetSimilar
[The Wilderness Battlefield] by G. O. Brown, The Metropolitan Museum of Art

[The Wilderness Battlefield]

G. O. Brown (d. 1889)

1866 · Albumen silver print from glass negative

Cleared · Public Domain

live
The MetSimilar
[The Wilderness Battlefield] by G. O. Brown, The Metropolitan Museum of Art

[The Wilderness Battlefield]

G. O. Brown (d. 1889)

1866 · Albumen silver print from glass negative

Cleared · Public Domain

live
The MetSimilar
[The Wilderness Battlefield] by G. O. Brown, The Metropolitan Museum of Art

[The Wilderness Battlefield]

G. O. Brown (d. 1889)

1866 · Albumen silver print from glass negative

Cleared · Public Domain

live
The MetSimilar
[The Wilderness Battlefield] by G. O. Brown, The Metropolitan Museum of Art

[The Wilderness Battlefield]

G. O. Brown (d. 1889)

1866 · Albumen silver print from glass negative

Cleared · Public Domain

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Range

Donald Moffett (d. 9999)

1997 · Fudge over graphite with traces of gunpowder on paper

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Range

Donald Moffett (d. 9999)

1997 · Fudge and graphite on paper

In copyright

live
The MetSimilar

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2. Read the arithmetic

Six weighted factors: the institution's own claim, the creator's term, the publication-age rule, the restrictions in their statement, your use, and whether a credit line is even possible.

3. Seal and export

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