A painting can be out of copyright and thephotograph of it can still be protected.

Writing box with Camões inscription

Unrecorded maker

late 16th century · Wood, lacquer, gold and iron

Writing Box

Unrecorded maker

late 16th–early 17th century · Wood; veneered with ebony, inlaid with ivory and bone (partially stained), brass (sadeli technique)

Writing Box

Unknown

1650–1700 · Wood with bone, tortoise shell, and ebony inlay; iron hardware

Writing box

Ferdinand Plitzner (d. 1724)

ca. 1715–20 · Oak, cedar, exotic hardwood, and ebonized fruitwood; marquetry in pewter, brass, and tortoiseshell; silver

Writing box

Unrecorded maker

ca. 1750 –1760 · Enameled copper; implements of glass, gilt copper, and enameled copper

Writing box

Nicolas-Denis Derome (d. 1790)

ca. 1783 · Gilt-tooled red morocco leather; pale green silk lining with gold braid

Writing Box

Ogawa Haritsu (Ritsuō) (d. 1747)

17th–18th century · Lacquer with design in pottery and pewter

Writing Box with Design of the Sumiyoshi Shrine

Unrecorded maker

19th century · Gold and silver maki-e on black lacquer

Writing Box with Design of the Tatsuta River

Unrecorded maker

19th century · Gold and silver maki-e on gold lacquer

Writing Box with Woodcutter Design

Ogata Kōrin (d. 1716)

19th century · Black and gold lacquer on wood with mother-of-pearl and pewter inlay

Writing Box

Italian (Manifattura di Signa, Florence?)

ca. 1900 · Copper alloy with reddish brown patina and areas of a worn black patina on top.

Writing Box (Suzuribako) and Writing Table (Bundai) with Pines at Takasago and Sumiyoshi

Yukio Yukio II (d. 1929)

early 20th century · Lacquered wood with gold, silver takamaki-e, hiramaki-e, cut-out gold foil on nashiji ground, silver inlay, silver fittings