No open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Yes!
Samuel Cousins (d. 1887)
1878 · Mixed method engraving
In copyright
liveThe MetSimilar
Rights clearance desk for images
A painting can be out of copyright and thephotograph of it can still be protected.
Museums publish two different things about the same artwork: whether the work is in copyright, and whether their picture of it is. OpenPlate reads both, does the arithmetic on the published term, and shows you the sentence behind every point of the score.
Where this page got its records
- The Metlive
470 ms. The Metropolitan Museum of Art, Collection API (Open Access)
- Clevelandlive
366 ms. The Cleveland Museum of Art, Open Access API
2 of 2 providers answered live. 99 matching records exist across the two collections.
Results for "Yes!"12 records
Institutions answered newest-first by record, interleaved
Yes, Sir, your respectable air encourages me...
Honoré Daumier (d. 1879)
1841 · Print, lithograph
Cleared · CC0
liveCleveland Museum of ArtSimilar
No open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Yes!
Samuel Cousins (d. 1887)
1878 · Mixed method engraving; proof
In copyright
liveThe MetSimilar
But yes, my dear, I assure you that this gentleman is drawing a landscape...
Honoré Daumier (d. 1879)
1846 · Print, lithograph
Cleared · CC0
liveCleveland Museum of ArtSimilar
No open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Yes or No?
Sir John Everett Millais (d. 1896)
1877–87 · Copper plate with steel facing
In copyright
liveThe MetSimilar
Piggy Bank
Unrecorded maker
1300s–1400s · Sculpture, terracotta
Cleared · CC0
liveCleveland Museum of ArtSimilar
No open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Yes or No?
Sir John Everett Millais (d. 1896)
1877–87 · Copper plate with steel facing
In copyright
liveThe MetSimilar
Yes, He Broke the Pot, Plate 25
Francisco de Goya (d. 1828)
1799, printed c. 1855 · Print, etching and aquatint
Cleared · CC0
liveCleveland Museum of ArtSimilar
No open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Yes or No?
Sir John Everett Millais (d. 1896)
1877–87 · Copper plate with steel facing
In copyright
liveThe MetSimilar
They Say "Yes" and Give Their Hand to the First Comer, Plate 2
Francisco de Goya (d. 1828)
1799 (printed c. 1855) · Print, etching and aquatint
Cleared · CC0
liveCleveland Museum of ArtSimilar
No open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Yes or No?
Sir John Everett Millais (d. 1896)
1877–87 · Mixed method engraving
In copyright
liveThe MetSimilar
No open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Yes or No?
Sir John Everett Millais (d. 1896)
1877–87 · Mixed method engraving
In copyright
liveThe MetSimilar
1. Pin the work
Choose the record and say what you are actually going to do with it. The product re-reads the work live and stores a snapshot, so your docket records what the institution said today.
2. Read the arithmetic
Six weighted factors: the institution's own claim, the creator's term, the publication-age rule, the restrictions in their statement, your use, and whether a credit line is even possible.
3. Seal and export
Record the decision into a SHA-384 chain, then export a dated docket as JSON, CSV or Markdown with the credit line and the seal a colleague can re-verify.